MEDIEVAL AND RENAISSANCE CLOTHING AND TEXTILES

Shannon McSheffrey; Ad Putter

ISSN 2044–351X

Series Editors

Robin Netherton

Gale R. Owen-Crocker

This series focuses on the study and interpretation of dress and textiles

throughout England and Europe, from the early medieval period to the

sixteenth century. It seeks to bring together research from a wide variety of

disciplines, including language, literature, art history, social history,

economics, archaeology, and artifact studies. The editors welcome

submissions that combine the expertise of academics working in this area

with the more practically based experience of re-enactors and re-creators,

offering fresh approaches to the subject.

The series is associated with the annual journal

Medieval Clothing and Textiles.

Proposals or queries should be sent in the first instance to the editors or to

the publisher, at the addresses given below; all submissions will receive

prompt and informed consideration.

Ms. Robin Netherton, robin@netherton.net

Professor Gale R. Owen-Crocker, gale.owencrocker@ntlworld.com

Boydell & Brewer Limited, PO Box 9, Woodbridge, Suffolk

Previous volumes in this series are listed at the back of this volume.

Details

The Dutch Hatmakers of Late Medieval and Tudor London

Stable URL:https://openaccess.boydellandbrewercms.com/?id=-259604

At the end of the Middle Ages, a group of hatmakers from the Low Countries migrated across the North Sea to London. These men brought with them new skills and technologies, unknown to English artisans, becoming the first to manufacture brimmed felt hats in England. However, though their wares were immediately popular with English consumers, from courtiers to ordinary people, they faced an economic environment in London that restricted and sometimes completely disallowed the production and retail of their goods. In the early years of the sixteenth century, the hatmakers' desire to remain independent from regulation and governance by London civic guilds led to their formation of a craft association of their own. The Hatmakers' fraternity of St James operated for about a decade, until in 1511 the royal council mandated their amalgamation with and subordination to the powerful London Haberdashers' Company. In their short period of independence, the Hatmakers' guild wrote bilingual ordinances, in English and Dutch, regulating the craft of hatmaking in London. The small parchment booklet in which they wrote the ordinances, now housed in the London Guildhall Library, contains more than a simple list of craft rules: it reveals how these Dutch craftsmen negotiated their immigrant lives in both the specifics of their artisanal practice and the broader social and linguistic realities of their daily interactions.

SHANNON MCSHEFFREY is Professor of History at Concordia University in Montreal, Canada. She has written five books and numerous articles and chapters on aspects of English society, culture, and politics between 1400 and 1550.

AD PUTTER is Professor of Medieval English at the University of Bristol, UK, co-director of Bristol's Centre for Medieval Studies, and Fellow of the British Academy. He is the author and editor of numerous books, with particular interests in the works of the Gawain poet, and the literary heritage of Anglo-Dutch relations.

Author

Shannon McSheffrey and Ad Putter

PublisherBoydell Press

Print publication date Aug, 2023

Print ISBN 9781837650804

EISBN 9781805430681

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MEDIEVAL AND RENAISSANCE CLOTHING AND TEXTILES

The Dutch Hatmakers of Late Medieval and Tudor London

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