The first comparative historical analysis - local, national and transnational - of the cross-border Central African copperbelt; a key work in studies of labour, urbanisation and African studies. The Central African Copperbelt, encompassing the mining communities of Katanga (DR Congo) and Zambia, has been central to the study of modernisation and rapid social and political change in urban Africa. This volume expands upon earlier studies of industrial mining, male-dominated formal labour organisation and political change by examining both sides of the border from pre-colonial history to the present and encompassing a wide range of economic, social and cultural identities and activities. Bringing together scholars from a range of disciplines, the contributors explore copperbelt communities' sense of identity - expressed in comic strips and football matches, their precarious and inventive ways of living, their involvement in church and education, and the processes and impact of urbanisation and development, environmental degradation and changing gender relations. A major contribution to borderland studies, in showing how the meaning and relevance of the border to the copperbelt's mixed and mobile population has changed constantly over time, the book's engagement with communities at the nexus of social, economic and political change makes it a key study for those working in global urban development.

Interrogates and explores African literature in African languages today, and the continuing interfaces between works in indigenous languages and those written in European languages or languages of colonizers.

Sixty years after the Conference of African Writers of English Expression at Makerere University, the dominance in the global canon of African literatures written in European languages over those in indigenous languages continues to be an issue. This volume of ALT re-examines this central question of African literatures to ask, 'What is the state of African literatures in African languages today?' Contributors discuss the translation of Gurnah's novel Paradise to Swahili, and Osemwegie's Ọrọ Epic to English, and Wolof wrestlers' panegyrics. They analyse Edo eco-critical poetry, and the poetics of Igbo mask poetry, and morality in early prose fiction in indigenous Nigerian languages. Other essays contribute a semiotic analysis of Duruaku's A Matter of Identity, and the decolonization of trauma in Uwem Akpan's Say You're One of Them. Overall, the volume paints a complex image of African cultural production in indigenous languages, especially in the ways Africa's oral performance traditions remain resilient in the face of a seemingly undiminished presence of non-African language literary traditions.

The first book-length study on the relationship between African literature and new media.

The digital space provides a new avenue to move literature beyond the restrictions of book publishing on the continent. Arguing that writers are putting their work on cyberspace because communities are emerging from this space, and because increasing numbers of Africans use the internet as part of their day-to-day engagement with their societies and the world, Shola Adenekan explores this transformative development in Nigeria and Kenya, both significant countries in African literature and two of the continent's largest digital technology hubs.

Queer Kenyans and Nigerians find new avenues for their work online where print publishers are refusing to publish short stories and poems on same-sex desire. Binyavanga Wainaina's rise to critical acclaim arguably started on the literary blog Generator 21. Chimamanda Ngozi Adichie's literary celebrity partly relies on her prolific use of social media to tell thestory of powerful Nigerian women. With further examples from the development of literature across the continent, this innovative book sheds new light on narratives about digital Africa. It will also be the first major work to provide a trajectory of class consciousness in Kenyan and Nigerian writing. Through this analysis, the book articulates the difference in attitudes towards queerness, sexuality, and hetero-normativity among successive generations of writers.

Explores and interrogates the many and diverse perspectives of the new frontiers of African literary studies.

Publication of the seminal volume African Literature Comes of Age, by C.D. Narasimhaiah (India) and Ernest N. Emenyonu (Nigeria), in 1988 generated the consciousness that African literature had attained maturity by the evolution of diverse concerns among scholars, critics, and researchers over the decades following the publication, in the English language, of Chinua Achebe's Things Fall Apart in 1958. Since the publication of the first volume of African Literature Today (ALT) in the 1970s, the writings of Africans across the continent have spread across the globe, constituting refreshing and hitherto unimaginable epistemologies. This 40th volume provides a serious critical response to those changing horizons and reflects African literature's maturity, diversity, scope, spread, and above all, relevance. The topics discussed range from sickle cell disease to the animalization of humans, new feminisms and stereotypes of womanhood, the different shades of black masculinity, and political exploitation in creative works. Reaching across boundaries, recent fictions are seen to suggest a widening of conventional literary genres, and new forms that change the known trajectories of dramatic theatre. The substance, freshness, and vitality that characterize the articles in this volume of African Literature Today bring a welcome perspective to the continent's rich creative life.

"A series which is a model of its kind": Edmund King

Considers the clerical friends of Ermengarde of Brittany, showing how these men enabled Ermengarde to fulfil both her duty and her desire to live an intensely pious life. Explores the ways in which grief was represented in the Histoire de Guillaume le Maréchal. Two thirteenth-century Evesham forgeries demonstrate that early thirteenth-century people, even so-called experts at the papal chancery, seem to have been ignorant of the physical form taken by early papal bulls. Explores the world of the scribes who composed Exon Domesday, demonstrating their working methods as well as giving us further insights into the composition of Great Domesday, completed by 1088. Looks at the involvement of Bernard, abbot of Le Mont Saint-Michel, 1131-49, in the development of the abbey in peril of the sea. Examines how the introduction of musical notation into Normandy around the millennium made it possible for people to understand melodies without aid from a master. Offers insights into the career of Ranulf Flambard, the most "infamous tax collector" of the late eleventh century in England. Investigates the annals of the Anglo-Saxon Chronicle for the years 1062 to 1066, showing that they were written largely in retrospect after the events of 1066 had played out. Looks at the case for the evidence relating to the foundation of Kirkstead Abbey, Lincolnshire. Finally, presents evidence for spying and espionage in the Anglo-Norman World.

Innovative study of state politics, identity and buildings that sheds new light on the links between the material and the ideational realms of contemporary life in Africa. Buildings shape politics in the ways they define communities, enable economic activity, reflect political ideas, and impact state-society relations. They are materially and symbolically interwoven with the everyday lives of elites and citizens, as well global flows of money, goods, and contracts. Yet, to date, there has been no research that explicitly connects debates about Africa's domestic and international politics with the study of architecture. This innovative book fills this gap, providing a new and compelling reading of the politics of identity in sub-Saharan Africa through an examination of some of its most significant buildings. Using case studies from nine countries across sub-Saharan Africa, this volume reveals how they are commissioned and built, how they enable elites to project power, and how they form a basis for popular conceptions of the state. Exploring a diverse range of buildings including parliaments, airports, prisons, ministries, regional institutions, libraries, universities, shopping malls, public housing, cathedrals and palaces, the contributors suggest a innovative perspective on African politics, identity and urban development. This book will be a compelling reference for scholars and students of African politics, development studies and city life in its elaboration of and challenges to established concepts and arguments about the relationship between material objects and political ideas.

This book is available as Open Access under the Creative Commons license CC-BY-NC-ND.

At the end of the nineteenth century Augustus Hopkins Strong worked to bring modernists and traditional Christians together but found the task more difficult than many imagined. In the wake of the publication of Darwin's Origin of Species in 1859, Christianity, or at least many people's understanding of Christianity, was evolving. The rising popularity of Darwinism combined with the pervasive influence of German idealism began forcing many professing Christians to rethink the faith they had long taken for granted. Among those who would be compelled to face the apparent conflicts between modern thought and traditional orthodoxy was Baptist theologian Augustus Hopkins Strong (1836-1921).

As president and professor of systematic theology at Rochester Theological Seminary for forty years (1872-1912) Strong stood as the premier theologian of the Northern Baptists at the end of the nineteenth century. Yet, as author John Aloisi shows in this important study, he remains a puzzling figure. Strong considered himself a defender of orthodoxy even as the school he led transitioned to a more modern and arguably less orthodox understanding of the Christian faith. His Systematic Theology went through eight editions, and the later editions increasingly reflected a shift in his thinking. Strong wrestled with how to reconcile Christian theology with modern thought while also trying to solve tensions within his own theology. He hoped to be able to bring modernists and more traditional Christians together around a concept he labelled ethical monism. In the end, while his effort suggested the task was more difficult than many understood it to be, Strong's journey had a significant impact on the direction of Rochester Theological Seminary.

This book is openly available in digital formats thanks to a generous grant from the Andrew W. Mellon Foundation.

 Fourteen revealing essays by a prominent Berlioz authority on some of the composer's acclaimed compositions (the Symphonie fantastique, Les Nuits d'été, Les Troyens) and writings (the celebrated Mémoires). Written for both music lovers and scholars, these essays probe some of Berlioz's major works, including the Symphonie fantastique (the period of whose genesis is newly explored), Les Nuits d'été (whose origins are newly clarified by a revelation regarding Berlioz's possible muse), the Symphonie militaire (whose existence is examined in the period before it became the Symphonie funèbre et triomphale), Les Troyens (whose epilogue is seen as a paean to Napoléon III), and Béatrice et Bénédict (whose text reveals extraordinary understanding of the original play).
The essays consider anew Berlioz's relationships with Franz Liszt (with whom the composer shared intimate details of his marriage to Harriet Smithson) and Richard Wagner (by whom the Frenchman was both charmed and alarmed), his travels in Germany (revealed as having had a specifically administrative purpose), his appreciation of English literature and Shakespeare (on whose work he was considered an expert), his modus operandi in composing the Mémoires, and his major twentieth-century biographers. Of conspicuous concern are the "politics" of a man sometimes erroneously viewed as distant from the political arena.

A profoundly original historical inquiry, this work offers a critical reflection on the silences of the past and the remembrance of the Holocaust.

During World War II, even though Bulgaria was an ally of the Third Reich, it never deported its Jewish community. Until recently, this image of Bulgaria as a European exception has prevailed—but at a cost. For it ignored the roundup of almost all the Jews living in the Yugoslav and Greek territories under Bulgarian occupation between 1941 and 1944, who were in fact deported to Poland, where they were murdered.

In this new English translation of her work originally published in French, Nadège Ragaru presents a riveting, wide-ranging archival investigation encompassing 80 years and six countries (Bulgaria, Germany, the United States, Israel, North Macedonia and Serbia), in doing so exploring the origins and perpetuation of this heroic narrative of Bulgaria's past. Moving between legal and political spheres, from artistic creations to museum exhibits, from the writing of history to transnational public controversies, she shows how the Holocaust north of the Danube became a "rescue" to the river's south. She traces how individual merits were turned into "national" achievements, while blame for the deportations was planted squarely on Nazi Germany. And she illuminates how discussions on the Holocaust in Bulgaria were held hostage to Cold War dynamics before 1989, only to yield to political and memorial struggles afterwards. Ultimately, she restores Jewish voices to the story of their own wartime suffering.

On publication this book is available as an Open Access eBook under the Creative Commons license CC BY-NC-ND.

The story of a forgotten health education film, Challenge: Science Against Cancer (1950), and what it tells us about mid-twentieth century North American cancer research, medical filmmaking, and health education campaigns. In 1949 the U.S. National Cancer Institute (NCI) and the Canadian Department of National Health and Welfare (DNHW) commissioned a film, eventually called Challenge. Science Against Cancer, as part of a major effort to recruit young scientists into cancer research. Both organizations feared that poor recruitment would stifle the development of the field at a time when funding for research was growing dramatically. The fear was that there would not be enough new young scientists to meet the demand, and that the shortfall would undermine cancer research and the hopes invested in it. Challenge aimed to persuade young scientists to think of cancer research as a career.

This book is the story of that forgotten film and what it tells us about mid-twentieth century American and Canadian cancer research, educational filmmaking, and health education campaigns. It explores why Canadian and American health agencies turned to film to address the problem of scientist recruitment; how filmmakers turned such recruitment concerns into something they thought would work as a film; and how information officers at the NCI and DNHW sought to shape the impact of Challenge by embedding it in a broader educational and propaganda program. It is, in short, an account of the important, but hitherto undocumented, roles of filmmakers and information officers in the promotion of post-Second World War cancer research.

This book is openly available in digital formats thanks to a generous grant from the Andrew W. Mellon Foundation.

Examines the creation, context, and significance of the first and only East German feature film about homosexuality. It took forty years for East Germany's state-run studios, DEFA, to produce a feature film about homosexuality: Coming Out. The film's story seems radically ordinary today: a young teacher, Philipp, is gay but cannot accept the truth about his sexuality. He starts a relationship with a fellow teacher, Tanja, but falls in love with a man he meets, Matthias, whose confidence in his own self-understanding is alluring for him as well as a challenge. Acclaimed director Heiner Carow created a film that shows the difficulties, both internalized and external, that queer people faced in East Germany. In a quirk of history, Coming Out premiered in German theaters on November 9, 1989, the very night on which the Berlin Wall was opened, which meant the film was initially overshadowed, to say the least, by the earthshaking political events. Yet it remains a popular film and is regularly screened around the world, including prominently at queer film festivals. Kyle Frackman's book examines the film in both the late East German context of its creation and the international context of its reception. The book will be published in both paperback and Open Access form.

For over a generation now, many leading performers, critics, and scholars of Mozart's music have taken a rejection of transcendence as axiomatic. Edmund Goehring's Coming to Terms with Our Musical Past offers an alternative vision of Mozart's works and of Western art music generally: such works as Mozart's radiate an idealism that has human sociability both as its source and its object. This fascinating new book-length essay is addressed to any reader interested in the performing arts, visual arts, and literature and their relationship to the broader culture.