MEDIEVAL AND RENAISSANCE CLOTHING AND TEXTILES

Shannon McSheffrey; Ad Putter

Previous volumes in this series:

The Troyes Mémoire: The Making of a Medieval Tapestry

Translated by Tina Kane

Medieval Dress and Textiles in Britain: A Multilingual Sourcebook

Edited by Louise M. Sylvester, Mark C. Chambers and Gale R. Owen-Crocker

III

Dressing the Scottish Court, 1543–1553: Clothing in the Accounts of the Lord High Treasurer of Scotland

Melanie Schuessler Bond

Refashioning Medieval and Early Modern Dress: A Tribute to Robin Netherton

Edited by Gale R. Owen-Crocker and Maren Clegg Hyer

Textiles of Medieval Iberia: Cloth and Clothing in a Multi-Cultural Context

Edited by Gale R. Owen-Crocker with María Barrigón, Naḥum Ben-Yehuda and Joana Sequeira

Details

The Dutch Hatmakers of Late Medieval and Tudor London

Stable URL:https://openaccess.boydellandbrewercms.com/?id=-259604

At the end of the Middle Ages, a group of hatmakers from the Low Countries migrated across the North Sea to London. These men brought with them new skills and technologies, unknown to English artisans, becoming the first to manufacture brimmed felt hats in England. However, though their wares were immediately popular with English consumers, from courtiers to ordinary people, they faced an economic environment in London that restricted and sometimes completely disallowed the production and retail of their goods. In the early years of the sixteenth century, the hatmakers' desire to remain independent from regulation and governance by London civic guilds led to their formation of a craft association of their own. The Hatmakers' fraternity of St James operated for about a decade, until in 1511 the royal council mandated their amalgamation with and subordination to the powerful London Haberdashers' Company. In their short period of independence, the Hatmakers' guild wrote bilingual ordinances, in English and Dutch, regulating the craft of hatmaking in London. The small parchment booklet in which they wrote the ordinances, now housed in the London Guildhall Library, contains more than a simple list of craft rules: it reveals how these Dutch craftsmen negotiated their immigrant lives in both the specifics of their artisanal practice and the broader social and linguistic realities of their daily interactions.

SHANNON MCSHEFFREY is Professor of History at Concordia University in Montreal, Canada. She has written five books and numerous articles and chapters on aspects of English society, culture, and politics between 1400 and 1550.

AD PUTTER is Professor of Medieval English at the University of Bristol, UK, co-director of Bristol's Centre for Medieval Studies, and Fellow of the British Academy. He is the author and editor of numerous books, with particular interests in the works of the Gawain poet, and the literary heritage of Anglo-Dutch relations.

Author

Shannon McSheffrey and Ad Putter

PublisherBoydell Press

Print publication date Aug, 2023

Print ISBN 9781837650804

EISBN 9781805430681

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MEDIEVAL AND RENAISSANCE CLOTHING AND TEXTILES

The Dutch Hatmakers of Late Medieval and Tudor London

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