Release 3.1
Berlioz in Time
Description: front cover
Chapters


Author
Peter Bloom
PublisherUniversity of Rochester Press
Word count6


Author
Peter Bloom
PublisherUniversity of Rochester Press
Word count163


Author
Peter Bloom
PublisherUniversity of Rochester Press
Word count14


Author
Peter Bloom
PublisherUniversity of Rochester Press
Word count253


Author
Peter Bloom
PublisherUniversity of Rochester Press
Word count6


Author
Peter Bloom
PublisherUniversity of Rochester Press
Word count217
Berlioz grew up in the provinces of southeastern France. He was not quite eighteen when he arrived in Paris to pursue medical, then musical study. If the formative years had a lasting impact on his life and work as composer, critic, advocate, and adversary, the artistic flame itself...
Author
Peter Bloom
PublisherUniversity of Rochester Press
Word count5,480
At Berlioz’s funeral, the eulogy pronounced by the President of the Académie des Beaux-Arts of the Institut de France, Eugène Guillaume, included the following passage:
Author
Peter Bloom
PublisherUniversity of Rochester Press
Word count11,152
On the occasion of my lecture to the members of the Berlioz Society, in London, which prompted the present chapter, the distinguished conductor Sir John Eliot Gardiner was in the audience. This led me to recall his performance of Les Troyens, at the Châtelet in Paris, in 2003. As an oboe player, I had noticed, among maestro Gardiner’s period instruments, a...
Author
Peter Bloom
PublisherUniversity of Rochester Press
Word count10,469
Locker room conversation, in the United States of America, refers to the unelevated discourse that is characteristic of men, even those of educated station, as they shower and dress, after sports, in the room where they have stored their clothes. “Locker” can mean “sleazy” in German, and that is indeed what is at issue: remarks that in French would be “des...
Author
Peter Bloom
PublisherUniversity of Rochester Press
Word count4,901
Berlioz, I confess, never became director of the Théâtre-Italien. That he nearly occupied this position, however, seems worth a few minutes’ traffic upon this stage, for the tale speaks in a way that others do not to the composer’s standing in the artistic world of the eighteen-thirties and to his relationship at the time with French officialdom. Indeed, the...
Author
Peter Bloom
PublisherUniversity of Rochester Press
Word count8,561
“All politics is local.” Americans know the phrase. Most associate it with Thomas P. (“Tip”) O’Neill (1912–1994),...
Author
Peter Bloom
PublisherUniversity of Rochester Press
Word count8,522
In the shadows of Berlioz’s Nuits d’été are persons, places, paintings, and poems once a part of the richly textured fabric of its genesis, now obscured, in the musical world, by the brilliance of the aesthetic object, the enduring artistic...
Author
Peter Bloom
PublisherUniversity of Rochester Press
Word count14,124
On December 7, 1846, in his regular column for La Presse, Théophile Gautier concluded a review of La Damnation de Faust, Berlioz’s new “légende dramatique” premiered the day before at the Théâtre de l’Opéra-Comique, with the sentence we quoted in the previous chapter, the sentence now...
Author
Peter Bloom
PublisherUniversity of Rochester Press
Word count9,414
In his magisterial Berlioz and the Romantic Century, Jacques Barzun spoke of the composer’s first voyage to Germany in 1842–1843 as a “musical mission” designed essentially to substantiate the development of dramatic music “on Shakespearean lines” and to...
Author
Peter Bloom
PublisherUniversity of Rochester Press
Word count7,649
“Au grand et cher auteur de Roméo et Juliette, l’auteur reconnaissant de Tristan et Isolde”—so reads the handsome dedication on the copy of the full score of Tristan that Wagner sent to Berlioz, The dedication may...
Author
Peter Bloom
PublisherUniversity of Rochester Press
Word count8,103
It is a strange and curious phenomenon, I think, that Berlioz’s musical politics, generally...
Author
Peter Bloom
PublisherUniversity of Rochester Press
Word count8,583
This little poem—
Author
Peter Bloom
PublisherUniversity of Rochester Press
Word count6,575
Much Ado About Nothing, the play upon which Berlioz based his lone opéra-comique, Béatrice et Bénédict, carries a title that is singularly ambiguous: the noun “nothing,” which, for most of us signifies...
Author
Peter Bloom
PublisherUniversity of Rochester Press
Word count10,526
He was slender and, in the images we have, seems to have been concerned about his appearance, being well if not always stylishly dressed. But he had few of the attributes that Baudelaire famously attributed to the “dandy,” in particular that “air of frigidity that results from his unshakeable resolve never ever to be moved,” for Berlioz was nothing if not...
Author
Peter Bloom
PublisherUniversity of Rochester Press
Word count10,263
It goes without saying, as many have said, that the personality of the biographer of the painter, of the writer, of the musician, has always colored...
Author
Peter Bloom
PublisherUniversity of Rochester Press
Word count8,884


Author
Peter Bloom
PublisherUniversity of Rochester Press
Word count638


Author
Peter Bloom
PublisherUniversity of Rochester Press
Word count4,830