Throughout the colonial and postcolonial period, Copperbelt towns were important centres of leisure activity. In the 1950s, Powdermaker portrayed the rich cultural life on the Northern Rhodesian Copperbelt, suggesting that forms of entertainment such as cinema, radio and religion were enthusiastically embraced by residents as part of their distinct urban identity.
1 Powdermaker, Copper Town. Mining company paternalism sought to dominate the cultural lives and leisure activities of Copperbelt communities. Congolese mines organised leisure centres (
cercles)
where workers could come to drink, watch theatre performances, play chess or read books. Mineworkers’ wives attended the sewing and knitting classes organised in welfare centres (
foyers sociaux).
2 Dibwe dia Mwembu, Bana Shaba; Nancy Rose Hunt, ‘Domesticity and Colonialism in Belgian Africa: Usumbura’s Foyer Social, 1946–1960’, Signs 15, 3 (1990), pp. 447–74. In Zambia, beer halls were a popular form of entertainment, generating revenue for mining companies and municipal governance, but they were also important places of social exchange.
3 Charles Ambler, ‘Alcohol, Racial Segregation and Popular Politics in Northern Rhodesia’, Journal of African History 31, 2 (1990), pp. 295–313. Sports, football in particular, helped workers to relax after their shifts (see Chipande, Chapter 4). Such forms of entertainment created ‘new urban social networks, communities, and identities’.
4 Hikabwa D. Chipande, ‘Mining for Goals: Football and Social Change on the Zambian Copperbelt’, Radical History Review 125 (2016), pp. 55–73. Our oral histories however demonstrate that Copperbelt residents developed their own cultural pursuits and perspectives, in relation to but not determined by company provisions. Some Congolese mineworkers for example deliberately chose not to patronise mine-sponsored social facilities. Instead, they would go and drink in the
cité (public neighbourhood) to escape the mines’ control. A focus on such assertion and cultural creativity puts mining paternalism into perspective.
In Mufulira the mines and the municipality organised a range of social clubs. These included sports (tennis, football, golf and draughts), theatre and cinema, as well as women’s clubs for tailoring, cooking and housekeeping. Teacher Fridah Mwale explained how these provided complementary forms of knowledge, necessary to cope with urban life: ‘At the club, we learnt how to sew and cook, at school we learnt how to write and read, and from the radio I learnt what was happening.’
5 Interview, Fridah Mwale, Mufulira, 6 July 2018. Mufulira’s workers generally praised the mine’s social facilities as a form of ‘caring’ for employees. Samson Chama, councillor for Zambia’s ruling United National Independence Party (UNIP) in the 1970s and 1980s, attested that ‘clubs were very popular; nearly everybody wanted to go there to pass time’.
6 Interview, Samson Chama, Mufulira, 27 July 2018. Simon Bwalya, a ZCCM employee, explains how ‘Chawama Hall was a socialising place and it provided recreation for miners. After going home, we would go there and … discuss work. It kept miners busy and relaxed.’ Even non-mineworkers could attend, Bwalya describes: ‘we would offer a bottle of beer and share ideas’.
7 Interview, Simon Bwalya, Mufulira, 1 August 2018. Although the mines utilised leisure activities as a form of social control, individuals commonly circumvented this. Mineworker Nathan Mwamba patronised an independent beer hall, rather than the mine beer hall.
8 Interview, Nathan Mwamba, Mufulira, 6 July 2018. Not only were closing times more flexible there, but mineworkers could also enjoy a drink outside the purview of their fellow workmates and supervisors. Occupational and class boundaries prevented certain forms of socialisation. Mine captain Kathbert Nchema recalled: ‘I was never mixing carelessly. I chose whom to go about with, who to speak to, what sort of issues I could talk about.’ He added, ‘as we were getting higher in the ranks, we were advised [by management] not to drink with our subordinates’.
9 Interview, Kathbert Nchema, Mufulira, 7 July 2018. Personnel manager Katwisi concurred: ‘the mines knew that somehow we would not mix. For example, you would not find a sweeper with a manager drinking in the same place.’
10 Interview, Patson Katwisi, Mufulira, 3 July 2018. Mining companies thus used recreation as a means of control, to discipline and segregate the workforce. Katwisi recognised that the mines had leisure activities
to keep us busy. They say an idle mind is the devil’s temple. After work we wanted to put work aside, have a good time and go home. Because we were kept busy, we had no time to engage in bad habits.
11 Interview, Patson Katwisi, Mufulira, 1 August 2018. Owess Sinkamba, ZCCM club organiser in the 1960s and 1970s, argued that ‘it was important for the mines to invest in clubs’, including sports, because ‘this taught the boys and girls discipline’.
12 Interview, Owess Sinkamba, Mufulira, 8 August 2018. Clubs were designed to make youths amenable to social control, although youth read their own meanings into club messages. Councillor Chama remembers that in the 1970s social clubs were meant ‘to solve unemployment among young men’. According to him, the mines ‘knew that if they kept people busy, they would produce better results’.
13 Interview, Samson Chama, Mufulira, 27 July 2018. This applied to women as well, and in this respect ZCCM employee Boniface Lupale recalls that ‘mine management encouraged attendance of sewing and knitting clubs among women’
14 Interview, Boniface Lupale, Mufulira, 12 July 2018. (see Larmer and Taylor, Chapter 12). Nonetheless, the available forms of leisure were multiple and Copperbelt urbanites attended cinema shows, theatre performances and drinking venues in areas beyond mine control.
Apart from mine company leisure provisions, Likasi’s residents highlighted other social networks, independent from or only loosely connected to Gécamines. Faith and ethnicity-based associations were particularly important in making Haut-Katanga’s urban culture. The Catholic Church, a pillar of the Belgian colonial order, continued to play a central role in the everyday life of Katangese residents after independence.
15 Reuben Loffman, Church, State and Colonialism in Southeastern Congo, 1890–1962 (New York: Palgrave Macmillan, 2019). Jacques Magenda alludes to the support the church provided him: ‘it stabilised me, it made me more responsible … the church adopts you, it supported me spiritually during the Gécamines crisis’.
16 Interview, Jacques Magenda, Likasi, 7 June 2018. Catholicism helped councillor Kibombo integrate when he first moved to Likasi in the 1970s, providing social support: ‘I was a member of a liturgical group. The members advised me about the people and places I should avoid.’
17 Interview, Jacques Kibombo, Likasi, 11 June 2018. Sculptor and painter Ferdinand Kakompe underlined the role the church played in his artistic training: ‘Everything I learned came from the church.’
18 Interview, Ferdinand Kakompe, Likasi, 19 June 2018. Social activities, thus, did not merely centre on mine welfare provision. Independent leisure activities and alternative social networks were just as important in defining Copperbelt urbanism.
Art and media were, for instance, means through which the Copperbelt population discussed and redefined the boundaries between rural and urban spheres. Radio programmes such as ‘
Kabusha’, a question and answer call-in show in Zambia aired between 1964 and 1990, proved extremely popular.
19 ‘Kabusha Takolelwe Bowa’ (‘the one who asks questions never goes wrong’), presented by David Yumba; Debra Spitulnik, ‘The Language of the City: Town Bemba as Urban Hybridity’, Journal of Linguistic Anthropology 8, 1 (1999), pp. 42–5. According to Bobby Kabamba,
Kabusha was very educational because it ‘gave you wide experience of how to live and cope with different problems’, including workplace issues and those specific to urban life.
20 Interview, Bobby Jackson Kabamba, Mufulira, 10 July 2018. Mineworker Henry Longwane explains how through ‘
Kabusha we used to learn about customs, traditions and ways of life, about how people should be living’. Importantly, such cultural expressions were in no way determined by the mining company. Longwane continued:
Being on the Copperbelt and coming from different areas with different customs, traditions and beliefs, it was very important to know about others. For instance, if a Bemba wants to marry a Luvale, they need to know what those people believe in, what they stand for.
21 Interview, Henry Longwane, Mufulira, 7 July 2018. Likewise, Likasi residents enjoyed adorning their walls with paintings of village scenes.
22 Interview, Jacques Magenda, Likasi, 7 June 2018; Interview, Valérienne Ngoye, Likasi, 9 June 2018; Interview, Thérèse Kyola, Likasi, 7 June 2018; Jewsiewicki, ‘Collective Memory and its Images’. For Kibombo, such paintings were informative: ‘I enjoy looking at how our ancestors lived. I have always lived in town and I do not know much about village life.’
23 Interview, Jacques Kibombo, Likasi, 11 June 2018. Far from the rural-urban dichotomy suggested in much Copperbelt research, connections to rural areas remained important even among ‘permanent urbanites’. Rather than being either ‘cosmopolitan’ or ‘localist’, the Copperbelt urban population tapped into various social networks.
24 Ferguson, Expectations of Modernity. In Mufulira, Tamarizika Nguni was member of a Nsenga social group, ‘so that if there was any problem, suffering or death then all the Nsenga people would come together and assist.’
25 Interview, Tamarizika Nguni, Mufulira, 3 July 2018. Similar forms of identity-based solidarity (socio-cultural associations) prevailed in Likasi.
26 Sandrine Vinckel, ‘La violence et le silence: Politiques de réconciliation, relations interpersonnelles et pratiques sociales de coexistence au Katanga, RDC’, PhD Thesis, Université Paris I, 2016, pp. 68–79. Solidarity networks complemented and provided alternatives to mine welfare provision. After the collapse of Gécamines, these associations played an increasing role in their members’ lives. Former councillor Kipili underlined how members of his association ‘facilitated the recruitment [to Gécamines] of the children of their … brothers.’
27 Interview, Jérôme Kipili, Likasi, 4 June 2018. For councillor Kibombo these associations provided a safety net in times of hardship: ‘we help each other at funerals, in case of illness, or when somebody is looking for a job’.
28 Interview, Jacques Kibombo, Likasi, 11 June 2018. Paradoxically, identity-based associations fed into ethnic conflicts between ‘Katangese’ and ‘Kasaïens’ in Haut-Katanga in the 1990s, causing hundreds of casualties in Likasi.
29 Donatien Dibwe dia Mwembu, ‘L’épuration ethnique au Katanga et l’éthique du redressement des torts du passé’, Canadian Journal of African Studies 33, 2/3 (1999), pp. 483–99. More generally however, such associations provided the Copperbelt population with a social network independent from mining companies.
By paying attention to art, leisure and socialisation, it becomes evident that mining companies on the Copperbelt influenced the social lives of mining communities in multiple ways. In Likasi and Mufulira, mineworkers and their wives, children and friends attended mine-sponsored dancing, football matches and household classes. Yet these social facilities did not serve as simple instruments of control. Copperbelt communities appropriated the classes offered at welfare centres for their own purposes, to earn an income or to expand social networks. Moreover, numerous forms of leisure took place beyond the grasp of mining companies.
30 See: Parpart, ‘“Where Is Your Mother?”’; Dibwe dia Mwembu, Bana Shaba. Identity-based associations or rural connections informed urbanism on the Copperbelt, just as much as beer halls and guitar music did.