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Description: Animal Symbolism in Hispanic Literature
Animal Symbolism in Hispanic Literature
buy the print edition
  • Animal Symbolism in Hispanic Literature
  • Animal Symbolism in Hispanic Literature
  • Tamesis Books
  • Animal Symbolism in Hispanic Literature
  • Copyright
  • Illustrations
  • Contributors
  • Introduction Animal Symbolism in Hispanic Literature: From the Sixteenth Century to the Present Day
  • Part I: Sixteenth to Eighteenth Centuries – The First Proverbial Transatlantic Zoo
  • 1 The Transatlantic Bestiaries of Felipe Guamán Poma (Waman Puma), c. 1615
  • 2 Monsters, American Animals, and Mirabilia in Gerónimo de Huerta and his Translation of the Natural History (1624)
  • 3 (In)Human Nature: Discourses over the Distinctions between Man and Beast in the Indigenous-Language Christian Pedagogies of New Spain
  • 4 “La natural inclinación se olvida:” Animal Transformation in Cervantes
  • Part II: Twentieth Century – Prowling for Pathways Toward a New Future
  • 5 Uncanny Urodeles: The Case of Julio Cortázar’s “Axolotl”
  • 6 Animal Skins/Human Souls: Figurations of the Jaguar in Contemporary Brazilian and Spanish American Literature
  • 7 Of Nahuals and Angels: Neoliberal Reinterpretations and Transnational Mythology in Édgar Clément’s Operación Bolívar
  • Part III: Twenty-First Century – In the Beast’s Clothing
  • 8 “Fausto” and Marina: Cats, Sickness, and Twentieth-Century Spain
  • 9 Animal Adventures for Gabriela Cabezón Cámara’s China Iron
  • 10 Colonizing Monsters and Decolonizing Beasts: The Case of Mariana Enríquez’s Our Share of Night
  • 11 Forms of the Beast: The Figure of the Werewolf in Three Recent Mexican Novels
  • 12 Animal Metaphors and Gender Violence in Contemporary Spain: (Non)Fictional Narratives
  • Index
  • Open Access Titles
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Animal Symbolism in Hispanic Literature

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© Contributors 2026
Some Rights Reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise)
First published 2026
Tamesis Books, Woodbridge
ISBN 978 1 85566 424 1 (hardback)
ISBN 978 1 80543 985 1 (ePub)
Tamesis Books is an imprint of Boydell & Brewer Ltd
and of Boydell & Brewer Inc.
website: www.boydellandbrewer.com
Our Authorised Representative for product safety in the EU is Easy Access
System Europe – Mustamäe tee 50, 10621 Tallinn,
Estonia, gpsr.requests@easproject.com
Open Access Licence: CC BY–NC–ND
The publisher has no responsibility for the continued existence or accuracy
of URLs for external or third-party internet websites referred to in this book,
and does not guarantee that any content on such websites is, or will remain,
accurate or appropriate
A CIP record for this title is available
from the British Library
Cover image: Lion with the royal arms of Spain and Portugal, 1628, Juan de Licalde. Image from the archives of the Biblioteca Nacional de España.
Cross references refer to page numbers in the print edition

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Description: Animal Symbolism in Hispanic Literature
Animal Symbolism in Hispanic Literature
buy the print edition
View details
    • Animal Symbolism in Hispanic Literature
    • Animal Symbolism in Hispanic Literature
    • Tamesis Books
    • Animal Symbolism in Hispanic Literature
    • Copyright
    • Illustrations
    • Contributors
    • Introduction Animal Symbolism in Hispanic Literature: From the Sixteenth Century to the Present Day
    • Part I: Sixteenth to Eighteenth Centuries – The First Proverbial Transatlantic Zoo
    • 1 The Transatlantic Bestiaries of Felipe Guamán Poma (Waman Puma), c. 1615
    • 2 Monsters, American Animals, and Mirabilia in Gerónimo de Huerta and his Translation of the Natural History (1624)
    • 3 (In)Human Nature: Discourses over the Distinctions between Man and Beast in the Indigenous-Language Christian Pedagogies of New Spain
    • 4 “La natural inclinación se olvida:” Animal Transformation in Cervantes
    • Part II: Twentieth Century – Prowling for Pathways Toward a New Future
    • 5 Uncanny Urodeles: The Case of Julio Cortázar’s “Axolotl”
    • 6 Animal Skins/Human Souls: Figurations of the Jaguar in Contemporary Brazilian and Spanish American Literature
    • 7 Of Nahuals and Angels: Neoliberal Reinterpretations and Transnational Mythology in Édgar Clément’s Operación Bolívar
    • Part III: Twenty-First Century – In the Beast’s Clothing
    • 8 “Fausto” and Marina: Cats, Sickness, and Twentieth-Century Spain
    • 9 Animal Adventures for Gabriela Cabezón Cámara’s China Iron
    • 10 Colonizing Monsters and Decolonizing Beasts: The Case of Mariana Enríquez’s Our Share of Night
    • 11 Forms of the Beast: The Figure of the Werewolf in Three Recent Mexican Novels
    • 12 Animal Metaphors and Gender Violence in Contemporary Spain: (Non)Fictional Narratives
    • Index

Details

Description: Animal Symbolism in Hispanic Literature
Animal Symbolism in Hispanic Literature
Stable URL:https://openaccess.boydellandbrewercms.com/?id=-310857
Open Access license
Whether unicorns, phoenix, and chimera, or axolotl, jaguars, and giant snakes, animals have often had the human experience grafted onto them, in a conscious or unconscious reflection of a society's beliefs, ambitions, and inequalities.


This volume seeks to explore different representations of real and imaginary animals across Hispanic literary production from the early modern era to the present day in order to gain a better understanding of how they serve as projections of human identities, knowledge, values, and vices. How do beasts enable the colonizing gaze and its reaches? How might beasts offer a means of decolonizing the Hispanophone world? And how do beasts articulate social unrest and a desire to resist inequality, poverty, and other ills of the modern world that collectively reinforce the status quo?

Working to better understand how Spanish and Latin American authors, illustrators, and graphic artists have understood animals and beasts, and how they interacted with them, contributors from the United States, Canada, Mexico, and Spain shed light on the use of animals as symbols and emblems, as well as how they have been employed to construct others as monstrous and less human.

LAUREN BECK holds the Canada Research Chair in Intercultural Encounter and is Professor of Hispanic Studies and Director of the Centre for Early Modern Visual Culture at Mount Allison University.

AILÉN CRUZ writes the bilingual Substack Prone to Hyperbole and is a Postdoctoral Researcher at the Centre for Early Modern Visual Culture at Mount Allison University.

Samantha Penina Ruckenstein is Lecturer of Visual and Material Culture Studies at Mount Allison University as well as an Assistant Professor of Spanish through St. Thomas University's Aotiitj Program on Elsipogtog First Nation.

CONTRIBUTORS: Lauren Beck, Tania Bride, Elena Campero, Odile Cisneros, Adrián Collado Icardo, Ailén Cruz, Alba Devo-Colis, Penélope Marcela Fernández Izaguirre, Irene López-Rodríguez, Alejandro Ramírez-Méndez, Samantha Penina Ruckenstein, Alejandro Soifer
PublisherTamesis Books
Print publication date Feb, 2026
Print ISBN 9781855664241
EISBN 9781805439851

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"Copyright." In Animal Symbolism in Hispanic Literature. Tamesis Books, 2025. Accessed August 23, 2026. Librios IMS, https://openaccess.boydellandbrewercms.com/?id=-310862CITANCHOR.
"Copyright." In Animal Symbolism in Hispanic Literature. Tamesis Books, 2025. Accessed August 23, 2026. https://openaccess.boydellandbrewercms.com/?id=-310862CITANCHOR.
Animal Symbolism in Hispanic Literature
Librios IMS
Tamesis Books
December 10, 2025
August 23, 2026
https://openaccess.boydellandbrewercms.com/?id=-310862CITANCHOR