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Description: Early Medieval Sculpture in Stone
Early Medieval Sculpture in Stone
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  • Early Medieval Sculpture in Stone
  • Chapter 1: Introduction: Early Medieval Sculpture in Stone
  • Chapter 17: An Introduction to The Project ‘Ancient Images 2.0’: Creating an Online Edition of Gotland’s Picture Stones
  • Chapter 26: ‘Isolated Memorials’? A New Free-Standing Cross from Reymerston, Norfolk, in Context
  • Chapter 27: Stone Sculpture: Futures
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Chapter 1: Introduction: Early Medieval Sculpture in Stone

Early Medieval Sculpture in Stone

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Description: Early Medieval Sculpture in Stone
Early Medieval Sculpture in Stone
buy the print edition
View details
    • Early Medieval Sculpture in Stone
    • Chapter 1: Introduction: Early Medieval Sculpture in Stone
    • Chapter 17: An Introduction to The Project ‘Ancient Images 2.0’: Creating an Online Edition of Gotland’s Picture Stones
    • Chapter 26: ‘Isolated Memorials’? A New Free-Standing Cross from Reymerston, Norfolk, in Context
    • Chapter 27: Stone Sculpture: Futures

Details

Description: Early Medieval Sculpture in Stone
Early Medieval Sculpture in Stone
Stable URL:https://openaccess.boydellandbrewercms.com/?id=-307196
Open Access license
Multidisciplinary scholarship showcasing innovative methods for working with sculptural material - with essays ranging from Merovingian funerary art to Old English and Scandinavian runic inscriptions.


The stone sculptures surviving across Europe from the early medieval period are an exceptional resource for understanding the communities that created them. Found at waysides, in architectural settings, and graveyards - standing crosses, inscribed stones, runestones and grave-markers are just some of the highly varied forms that attest to the art, technologies and beliefs of both Christian and non-Christian societies. The new approaches to sculpture studies found in this volume range from rethinking late antique influences to exploring how sculpture was used and encountered in a variety of political and cultural contexts; contributors also draw out the dialogues inherent in form and decoration within and across temporal and national boundaries. These fresh perspectives on iconographies, narrative art, sculpture and nature and the power of sculpture in multi-media environments, alongside studies of sourcing, production and portability, and the afterlives of carved stones, reflect the vibrancy of current research and the way in which it now integrates digital, scientific and spatial methods.

The introduction and chapters 26 and 27 are available as Open Access under the Creative Commons licence CC BY-NC-ND. This work was supported by the Arts and Humanities Research Council [AH/R003556/1] and the British Academy [AQ2324\240012].


Chapter 17 is Open Access under the Creative Commons License CC BY-NC-ND with funding from the Swedish National Heritage Board.
Author
Sarah Semple#Jane Hawkes
PublisherBoydell Press
Print publication date Nov, 2025
Print ISBN 9781837651535
EISBN 9781805438434

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Sarah Semple#Jane Hawkes. "Chapter 1: Introduction: Early Medieval Sculpture in Stone." In Early Medieval Sculpture in Stone. Boydell Press, 2025. Accessed October 18, 2025. Librios IMS, https://openaccess.boydellandbrewercms.com/?id=-307210CITANCHOR.
Sarah Semple#Jane Hawkes. "Chapter 1: Introduction: Early Medieval Sculpture in Stone." In Early Medieval Sculpture in Stone. Boydell Press, 2025. Accessed October 18, 2025. https://openaccess.boydellandbrewercms.com/?id=-307210CITANCHOR.
Sarah Semple#Jane Hawkes
Early Medieval Sculpture in Stone
Librios IMS
Boydell Press
October 16, 2025
October 18, 2025
https://openaccess.boydellandbrewercms.com/?id=-307210CITANCHOR