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Description: Translating Swiss Theatre in Apartheid South Africa
Translating Swiss Theatre in Apartheid South Africa
  • Translating Swiss Theatre in Apartheid South Africa
  • Translating Swiss Theatre in Apartheid South Africa
  • Translating Swiss Theatre in Apartheid South Africa
  • Copyright
  • Dedication
  • Illustrations
  • Preface
  • Introduction
  • 1 Playing with fire
  • 2 The Old Lady sets a new benchmark
  • 3 Whitewashing Pretoria
  • 4 Big deaths, little deaths
  • 5 Foreign imports for the glory years
  • 6 Wake up and smell the petrol
  • Epilogue
  • Postscript
  • Bibliography
  • Index
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Copyright

Translating Swiss Theatre in Apartheid South Africa

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© Paula Fourie 2026
Some rights reserved. Without limiting the rights under copyright reserved
above, any part of this book may be reproduced, stored in or introduced into
a retrieval system, or transmitted, in any form or by any means (electronic,
mechanical, photocopying, recording or otherwise)
The right of Paula Fourie to be identified as
the author of this work has been asserted in accordance with
sections 77 and 78 of the Copyright, Designs and Patents Act 1988
First published 2026
The Boydell Press, Woodbridge
ISBN 978 1 83765 334 8 (hardback)
ISBN 978 1 83765 335 5 (paperback)
ISBN 978 1 83765 449 9 (ePUB)
Open Access: This title is available under the Creative Commons license CC-BY-NC-ND | DOI: https://doi.org/10.2307/jj.43971971 | The open access version of this publication was funded by the Swiss National Science Foundation
The Boydell Press is an imprint of Boydell & Brewer Ltd
and of Boydell & Brewer Inc.
website: www.boydellandbrewer.com
Our Authorised Representative for product safety in the EU is Easy Access System Europe – Mustamäe tee 50, 10621 Tallinn,Estonia, gpsr.requests@easproject.com
A CIP catalogue record for this book is available
from the British Library
The publisher has no responsibility for the continued existence or accuracy
of URLs for external or third-party internet websites referred to in this book,
and does not guarantee that any content on such websites is,
or will remain, accurate or appropriate
Cover image: The programme for Die Brandstigters at CAPAB, 1978. Artscape Archive. Cover design: Amy Musgrave
Cross references refer to page numbers in the print edition

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Description: Translating Swiss Theatre in Apartheid South Africa
Translating Swiss Theatre in Apartheid South Africa
View details
    • Translating Swiss Theatre in Apartheid South Africa
    • Translating Swiss Theatre in Apartheid South Africa
    • Translating Swiss Theatre in Apartheid South Africa
    • Copyright
    • Dedication
    • Illustrations
    • Preface
    • Introduction
    • 1 Playing with fire
    • 2 The Old Lady sets a new benchmark
    • 3 Whitewashing Pretoria
    • 4 Big deaths, little deaths
    • 5 Foreign imports for the glory years
    • 6 Wake up and smell the petrol
    • Epilogue
    • Postscript
    • Bibliography
    • Index

Details

Description: Translating Swiss Theatre in Apartheid South Africa
Translating Swiss Theatre in Apartheid South Africa
Stable URL:https://openaccess.boydellandbrewercms.com/?id=-321981
Examines how Afrikaans translations of Frisch and Dürrenmatt's plays shaped identity and resistance in apartheid South Africa.


In apartheid South Africa, the plays of the Swiss writers Max Frisch and Friedrich Dürrenmatt found an unexpected life in Afrikaans. Because they did not follow their international contemporaries in supporting the cultural boycott, their works were frequently translated and staged there between 1948 and 1994.

This book investigates these Afrikaans translations through close readings of surviving scripts, interviews and archival traces to uncover the lives and motives of the people who translated, directed and performed them. In the process, it reveals the sparks generated between the plays themselves and the South African political context in which they circulated.

Frisch and Dürrenmatt's plays helped to shape the growth of Afrikaans as a world language and an emblem of Afrikaner identity. Yet they were also enlisted as vehicles of resistance, carrying new ideas into an increasingly airless intellectual environment. Exploring these crosscurrents, this book moves beyond the specific concerns of translating Swiss literature into Afrikaans to consider cultural boycotts, censorship, and the ways translation can be harnessed to promote or subvert political and aesthetic values.


On publication this book is available as an Open Access ebook under the Creative Commons license CC BY-NC. The open access version of this publication was funded by the Swiss National Science Foundation. DOI: https://doi.org/10.2307/jj.43971971
Author
Paula Fourie
PublisherBoydell Press
Print publication date Jun, 2026
Print ISBN 9781837653348
EISBN 9781837654482
DOIhttps://doi.org/10.2307/jj.43971971

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Paula Fourie. "Copyright." In Translating Swiss Theatre in Apartheid South Africa. Boydell Press, 2026. Accessed August 23, 2026. Librios IMS, https://openaccess.boydellandbrewercms.com/?id=-321984CITANCHOR.
Paula Fourie. "Copyright." In Translating Swiss Theatre in Apartheid South Africa. Boydell Press, 2026. Accessed August 23, 2026. https://openaccess.boydellandbrewercms.com/?id=-321984CITANCHOR.
Paula Fourie
Translating Swiss Theatre in Apartheid South Africa
Librios IMS
Boydell Press
May 20, 2026
August 23, 2026
https://openaccess.boydellandbrewercms.com/?id=-321984CITANCHOR