iv. Music and Culture
Doctor Faustus is perhaps most famous as a novel about twelve-tone music, but in truth its artistic reach is far wider and Mann spends at least as much time talking about early modern polyphony as he does discussing avant-garde compositions. What is the larger narrative that he is trying to construct, and how does it comment on artistic and intellectual life more generally? What do the extremely detailed discussions of fictional musical pieces add to the story?
I analyze Mann’s discussion of music in greater detail in chapter 10, “Music Theory and Political Allegory,” and offer an account of how Leverkühn relates to the German cultural tradition in chapter 9, “Five Masters from Germany.”