Bibliography
Allen, D. C. “Donne’s ‘Sapho to Philaenis’”, English Language Notes 1:3 (1964): 188–191.
Anderson, David K. “Internal Images: John Donne and the English Iconoclast Controversy”, Renaissance and Reformation/Renaissance et Réforme 26:2 (Spring 2002): 23–42.
Arakawa, Mitsuo. Shinpishiso to Keijijoshijintachi [Mystical Thought and Mystical Poets]. Tokyo: Shohakusha, 1976.
Arasse, Daniel. L’Annonciation italienne: une histoire de perspective. Paris: Hazan, 1999.
Aston, Margaret. Broken Idols of the English Reformation. Cambridge Cambridge University Press, 2016.
———. England’s Iconoclasts: Volume 1: Laws against Images. Oxford: Clarendon Press, 1988.
———. “Public Worship and Iconoclasm”, in The Archaeology of Reformation 1480–1580, edited by D. Gaimster and R. Gilchrist. Leeds: Maney, 2003, pp. 9–28.
Augustine. Confessions. Translated by Henry Chadwick. Oxford: Oxford University Press, 1998.
Ayres, Philip J. “Donne’s ‘the Dampe’, Engraved Hearts, and the ‘Passion’ of St. Clare of Montefalco”, English Language Notes 13:3 (1976): 173–175.
Bald, R. C., and W. Milgate. John Donne: A Life. Oxford: Clarendon Press, 1970.
Bell, Ilona. “Women in the Lyric Dialogue of Courtship: Whitney’s Admonition to Al Yong Gentilwomen and Donne’s ‘The Legacie’”, in Representing Women in Renaissance England, edited by Claude J. Summers and Ted-Larry Pebworth. Columbia, MO: University of Missouri Press, 1997, pp. 76–92.
Bobo, Elizabeth. “‘Chaf’d Muscatts Pores’: The Not-So-Good Mistress in Donne’s ‘The Comparison’”, ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 25:3 (2012): 168–174.
Bryson, John. “Lost Portrait of Donne”, The Times. (London), October 13, 1959.
Burton, Robert. The Anatomy of Melancholy. Oxford: John Lichfield and James Short, for Henry Cripps, 1621.
Calvin, John. A Commentarie of Iohn Calvine vpon the first booke of Moses called Genesis. Translated by Thomas Tymme. London: for John Harison and George Bishop, 1578.
———. Institutes of the Christian Religion, ed. John T. McNeill. Philadelphia: Westminster Press, 1960.
Carey, John. John Donne: Life, Mind and Art. New York: Oxford University Press, 1981.
Cassirer, Ernst. The Individual and the Cosmos in Renaissance Philosophy. New York and Evanston: Harper Torchbooks, 1963.
Certaine Sermons or Homilies. Gainsville, FL: Scholars’ Facsimiles and Reprints, 1965.
Chambers, A. B. “The Meaning of the ‘Temple’ in Donne’s La Corona”, Journal of English and Germanic Philology 59:2 (1960): 212–217.
Chambers, Alexander B. Transfigured Rites in Seventeenth-Century English Poetry. Columbia: University of Missouri Press, 1992.
Chambers, E. K., ed. Poems of John Donne. London: A. H. Bullen, 1896.
Chevallier, Philippe, ed. Dionysiaca. Stuttgart-Bad Cannstatt: Frommann-­Holzboog, 1989.
Clements, A. L., ed. John Donne’s Poetry: Authoritative Texts, Criticism, Norton Critical Editions. New York: Norton, 1966.
Colclough, David, ed. The Oxford Edition of the Sermons of John Donne, Vol. 3: Sermons Preached at the Court of Charles I. Oxford: Oxford University Press, 2013.
Collins, John. “Apocalyptic Eschatology as the Transcendence of Death”, Catholic Biblical Quarterly xxxvi (1974): 21–43.
Cooper, Tarnya. Citizen Portrait: Portrait Painting and the Urban Elite of Tudor and Jacobean England and Wales. New Haven and London: Yale University Press, 2012.
Correll, Barbara. “Symbolic Economies and Zero-Sum Erotics: Donne’s ‘Sapho to Philaenis’”, English Literary History 62:3 (Fall 1995): 487–507.
Counet, Jean-Michel. Mathématiques et dialectique chez Nicolas de Cuse. Paris: Vrin, 2000.
Cousins, A. D. “The Coming of Mannerism: The Later Ralegh and the Early Donne”, English Literary Renaissance 9:1 (1979): 86–107.
Cowley, Abraham. “On the Death of Sir Anthony Vandike, the Famous Painter”, Poems. London: Humphrey Moseley, 1656, p. 9.
Cresswell, Catherine J. “Giving a Face to an Author: Reading Donne’s Portraits and the 1635 Edition”, Texas Studies in Literature and Language 37:1 (1995): 1–15.
Crowley, Lara M. “A Text of ‘Resurrection. Imperfect’”, John Donne Journal 29 (2010): 185–198.
Cunnar, Eugene R. “Illusion and Spiritual Perception in Donne’s Poetry”, in Aesthetic Illusion: Theoretical and Historical Approaches, edited by Frederick Burwick and Walter Pape. Berlin: de Gruyter, 1990, pp. 324–336.
Davies, Stevie. John Donne. Writers and Their Work. Plymouth: Northcote House, with British Council, 1994.
Davis, Walter R., and Richard Lanham, eds. Sidney’s Arcadia. New Haven and London: Yale University Press, 1965.
Derrida, Jacques. Of Grammatology. Translated by Gayatri Chakravorty Spivak. Baltimore and London: Johns Hopkins University Press, 1976.
DiPasquale, Theresa M. Literature and Sacrament: The Sacred and the Secular in John Donne. Pittsburgh, PA: Duquesne University Press, 1999.
———. “A Tale of Two Sequences: Reading the Variorum Edition of the Holy Sonnets”, Presidential Address, Twenty-Second Annual John Donne Society Conference, Baton Rouge, February 17, 2007. Unpublished.
Docherty, Thomas. John Donne, Undone. London: Methuen, 1986.
Dolce, Ludovico. Aretin: A Dialogue on Painting. From the Italian of Ludovico Dolce. London: P. Elmsley, 1770.
Donne, John. Essays in Divinity, edited by Evelyn M. Simpson. Oxford: Clarendon Press, 1952.
Donno, Elizabeth Story, ed. Andrew Marvell: The Complete Poems, London: Penguin, 1972.
Dowden, Edward. “The Poetry of John Donne”, The Fortnightly Review, 232 (1890): 791–808.
Duffy, Eamon. The Stripping of the Altars: Traditional Religion in England 1400–1580. New Haven: Yale University Press, 1992.
Dyrness, William A. Reformed Theology and Visual Culture: The Protestant Imagination from Calvin to Edwards. Cambridge: Cambridge University Press, 2004.
Elsky, Martin. “John Donne’s La Corona: Spatiality and Mannerist Painting”, Modern Language Studies 13:2 (Spring 1983): 3–11.
Ettenhuber, Katrin. Donne’s Augustine: Renaissance Cultures of Interpretation. Oxford: Oxford University Press, 2011.
Evett, David. Literature and the Visual Arts in Tudor England. Athens and London: University of Georgia Press, 1990.
Falk, Ruth E. “Donne’s ‘Resurrection, Imperfect’”, Explicator 17 (1958).
Farmer, Norman. Poets and the Visual Arts in Renaissance England. Austin: University of Texas Press, 1984.
Flynn, Dennis. John Donne and the Ancient Catholic Nobility. Bloomington: Indiana University Press, 1995.
———. “John Donne’s Titian: What Was It, How Did He Get It, and What Does It Mean for Us?” Unpublished.
Ford, Sean. “Nothing’s Paradox in Donne’s ‘Negative Love’ and ‘A Nocturnal Upon S. Lucy’s Day’”, Quidditas 22 (2001): 99–113.
Fowler, Alastair. “Periodization and Interart Analogies”, New Literary History 3:3 (1972): 487–509.
Friedman, Donald M. “Memory and the Art of Salvation in Donne’s Good Friday Poem”, English Literary Renaissance 3:3 (1973): 418–442.
Froehlich, Karlfried. “Pseudo-Dionysius and the Reformation of the Sixteenth Century”, in Pseudo-Dionysius, Complete Works, Translated by Colm Luibheid. New York: Paulist Press, 1987, pp. 33–46.
Frost, Kate Gartner. “The Lothian Portrait: A New Description”, John Donne Journal 13:1–2 (1994): 1–11.
———. “The Lothian Portrait: A Prologomenon”, John Donne Journal 15 (1996): 95–125.
———. “Magnus Pan Mortuus Est: A Subtextual and Contextual Reading of Donne’s ‘Resurrection, Imperfect’”, in John Donne’s Religious Imagination: Essays in Honor of John T. Shawcross, edited by Raymond-Jean Frontain and Frances M. Malpezzi. Conway, AR: UCA, 1995, pp. 231–261.
Gardner, Helen, ed. John Donne. The Divine Poems. Oxford: Clarendon Press, 1952.
———., ed. John Donne. The Elegies and the Songs and Sonnets. Oxford: Clarendon Press, 1965.
Gee, Henry, and W. H. Hardy, eds. Documents Illustrative of English Church History. New York: Macmillan, 1896.
Gent, Lucy. Picture and Poetry 1560–1620. Leamington Spa: James Hall, 1981.
Gill, Richard, ed. John Donne: Selected Poems. Oxford: Oxford University Press, 1990.
Gilman, Ernest B. Iconoclasm and Poetry in the English Reformation: Down Went Dagon. Chicago and London: University of Chicago Press, 1986.
———. “‘To Adore, or Scorne an Image’: Donne and the Iconoclastic Controversy”, John Donne Journal: Studies in the Age of Donne 5: 1–2 (1986): 62–100.
Grierson, Herbert J. C. The Poems of John Donne. 2 vols. Oxford: Clarendon Press, 1912.
Guibbory, Achsah. “John Donne and Memory as ‘the Art of Salvation’”, Huntington Library Quarterly 43:4 (1980): 261–274.
———. “‘Oh, Let Mee Not Serve So’: The Politics of Love in Donne’s Elegies”, English Literary History 57: 4 (Winter 1990): 811–833.
Hagstrum, Jean H. The Sister Arts: The Tradition of Literary Pictorialism and English Poetry from Dryden to Gray. Chicago and London: University of Chicago Press, 1958.
Harland, Paul W. “‘A True Transubstantiation’: Donne, Self-Love, and the Passion”, in John Donne’s Religious Imagination: Essays in Honor of John T. Shawcross, edited by Raymond-Jean Frontain and Frances M. Malpezzi. Conway, AR: UCA Press, 1995, pp. 162–180.
Harvey, Elizabeth D. “Ventriloquizing Sappho: Ovid, Donne, and the Erotics of the Feminine Voice”, Criticism 31:2 (Spring 1989): 115–138.
Heffernan, James A. W. “Ekphrasis and Representation”, New Literary History 22:2 (1991): 297–316.
———. The Museum of Words: The Poetics of Ekphrasis from Homer to Ashbery. Chicago: Chicago University Press, 2004.
Hegedüs, Kader. “Maps, Spheres and Places in Donnean Love. Donne’s Spatial Representations in the ‘Songs and Sonnets’”, MA Thesis. University of Lausanne, 2012.
Hegel, Georg Wilhelm Friedrich. Aesthetics: Lectures on Fine Art. Translated by T. M. Knox. 2 vols. Oxford: Oxford University Press, 1975.
Hester, M. Thomas. “‘Impute This Idle Talke’: The ‘Leaven’ Body of Donne’s ‘Holy Sonnet III’”, in Praise Disjoined: Changing Patterns of Salvation in 17th-Century English Literature, edited by William P. Shaw. New York: Peter Lang, 1991, pp. 175–190.
Hiscock, Andrew. Reading Memory in Early Modern Literature. Cambridge and New York: Cambridge University Press, 2011.
Hollander, John. “A Poetics of Ekphrasis”, Word & Image 4:1 (1988): 209–219.
Holstun, James. “‘Will You Rent Our Ancient Love Asunder?’ Lesbian Elegy in Donne, Marvell, and Milton”, English Literary History 54: 4 (Winter 1987): 835–867.
Hopkins, Jasper, ed. Nicholas of Cusa’s Dialectical Mysticism: Text, Translation, and Interpretive Study of De Visione Dei. Second edition. Minneapolis: Arthur J. Banning, 1988.
Howard, Richard. “Giovanni da Fiesole on the Sublime, or Fra Angelico’s Last Judgement.” Poetry 114, October 1970.
Hurley, Ann Hollinshead. John Donne’s Poetry and Early Modern Visual Culture. Selinsgrove, PA: Susquehanna University Press, 2005.
Hutterer, Maille S. “Illuminating the Sunbeam through Glass Motif”, Word & Image 38:4 (2022): 407–434.
St John of Damascus. Three Treatises on the Divine Images. Crestwood, NY: St Vladimir’s Seminary Press, 2003.
Johnson, Jeffrey S. The Theology of John Donne. Cambridge: D. S. Brewer, 1999.
———. et al., eds. The Variorum Edition of the Poetry of John Donne. Vols 4.2, 4.3, 5, 7.2. Bloomington and Indianapolis: Indiana University Press, 2019–2022. See also Stringer below.
Johnson, Kimberly. “Linear Perspective and the Renaissance Lyric”, PMLA 134:2 (2019): 280–297.
Karim-Cooper, Farah. Cosmetics in Shakespearean and Renaissance Drama. Edinburgh: Edinburgh University Press, 2006.
Keynes, Geoffrey. A Bibliography of Dr. John Donne, Dean of Saint Paul’s. Fourth edition. Oxford: Clarendon Press, 1973.
Kinney, Arthur F., and Linda Bradley Salamon, eds. Nicholas Hilliard’s Art of Limning. Boston: Northeastern University Press, 1983.
Klawitter, George. “John Donne’s Attitude toward the Virgin Mary: The Public Versus the Private Voice”, in John Donne’s Religious Imagination: Essays in Honor of John T. Shawcross, edited by Raymond-Jean Frontain and Frances M. Malpezzi. Conway, AR: UCA Press, 1995, pp. 122–140.
Knapp, James A. “Looking at and through Pictures in Donne’s Lyrics”, in The Art of Picturing in Early Modern English Literature, edited by Camilla Caporicci and Armelle Sabatier. New York and London: Routledge, 2019, pp. 33–49.
Kneidel, Gregory. “The Death of Christ in and as Secular Law”, in Political Theology and Early Modernity, edited by Graham Hamill and Julia Reinhard Lupton. Chicago: University of Chicago Press, 2012, pp. 264–281.
Koerner, Joseph Leo. The Reformation of the Image. London: Reaktion, 2004.
Labriola, Albert C. “Iconographic Perspectives on Seventeenth-Century Religious Poetry”, in Approaches to Teaching the Metaphysical Poets, edited by Sidney Gottlieb. New York: Modern Language Association of America, 1990, pp. 61–67.
Lederer, Josef. “John Donne and the Emblematic Practice”, Review of English Studies 22:87 (1946): 182–200.
Lee, Rensselaer W. Ut Pictura Poesis: The Humanistic Theory of Painting. New York: Norton, 1967.
Legouis, Pierre. Andrew Marvell: Poet, Puritan, Patriot. Oxford: Clarendon Press, 1965.
Lessing, Gotthold Ephraim. Laocoön: An Essay on the Limits of Painting and Poetry. Translated by Edward Allen McCormick. Indianapolis and New York: Bobbs Merrill, 1962.
Lewalski, Barbara Kiefer. Protestant Poetics and the Seventeenth-Century Religious Lyric. Princeton: Princeton University Press, 1979.
Lomazzo, Giovanni Paolo. A Tracte Containing the Artes of Curious Paintinge Caruinge Buildinge Written First in Italian by Io: Paul Lomatius Painter of Milan and Englished by R. H. Student in Physik, 1598.
Louthan, Doniphan, ed. The Poetry of John Donne: A Study in Explication. New York: Bookman Associates, 1951.
Luther, Martin. D. Martin Luther’s Werke. Kritische Gesamtausgabe, ed. J. F. K. Knake, 67 vols. Weimar: Hermann Bohlaus Nachfolger, 1883–1997.
———. Luther’s Works, ed. Jaroslav Pelikan and Helmut T. Lehman, 55 vols. Philadelphia and St. Louis, MO: Muehlenberg and Fortress / Concordia, 1955–1986.
MacCulloch, Diarmaid. Reformation: Europe’s House Divided 1490–1700. London: Allen Lane, 2003.
Martin, Catherine Gimelli. “Unmeete Contraryes: The Reformed Subject and the Triangulation of Religious Desire in Donne’s Anniversaries and Holy Sonnets”, in John Donne and the Protestant Reformation: New Perspectives, edited by Mary Arshagouni Papazian. Detroit, MI: Wayne State University Press, 2003, pp. 193–220.
Martin, Michael. Literature and the Encounter with God in Post-Reformation England. Farnham: Ashgate, 2014.
Martz, Louis L. “Donne, Herbert, and the Worm of Controversy”, in Wrestling with God: Literature and Theology in the English Renaissance: Essays to Honour Paul Grant Stanwood, edited by Mary Ellen Henley, W. Speed Hill and R. G. Siemens. Early Modern Literary Studies, Special Issue 7 (2001): 1–28.
———. From Renaissance to Baroque: Essays on Literature and Art. University of Missouri Press, 1991.
———. The Poetry of Meditation: A Study in English Religious Literature of the Seventeenth Century. New Haven: Yale University Press, 1954.
Maurer, Margaret. “The Circular Argument of Donne’s ‘La Corona’”, SEL: Studies in English Literature, 1500–1900 22:1 (Winter 1982): 51–68.
Maurer, Margaret, and Dennis Flynn. “The Text of Goodf and Donne’s Itinerary in April 1613”, Textual Cultures: Texts, Contexts, Interpretation 8:2 (2013): 50–94.
McCaffrey, Philip. “Painting the Shadow: (Self-)Portraits in Seventeenth Century Poetry”, in The Eye of the Poet: Studies in the Reciprocity of the Visual and Literary Arts from the Renaissance to the Present, edited by Amy Golahny. Lewisberg: Bucknell University Press, 1996, pp. 179–195.
McGinn, Bernard. Visions of the End: Apocalyptic Traditions in the Middle Ages. New York: Columbia University Press, 1998.
McGrath, Alister E. Luther’s Theology of the Cross: Martin Luther’s Theological Breakthrough. Second edition. Oxford: Blackwell, 2011.
McQueen, William A. “Donne’s ‘The Crosse’”, Explicator 45:3 (Spring 1987): 8–11.
Meier-Oeser, Stephan. “Die Cusanus-Rezeption Im Deutschen Renaissancehumanismus Des 16. Jahrhunderts”, in Nicolaus Cusanus Zwischen Deutschland Und Italien, edited by Martin Thurner. Berlin: Akademie, 2002, pp. 617–632.
———. Die Präsenz Des Vergessenen: Zur Rezeption Der Philosophie Des Nicolaus Cusanus Vom 15. Bis Zum 18. Jahrhundert. Münster: Aschendorff, 1989.
Merrifield, Mary. Original Treatises on the Arts of Painting [1849]. New York: Dover, 1967.
Michalski, Sergiusz. The Reformation and the Visual Arts: The Protestant Image Question in Western and Central Europe. New York: Routledge, 1993.
Michelangelo. Poems and Letters. Translated by Anthony Mortimer. London: Penguin, 2007.
Milgate, Wesley. “Dr. Donne’s Art Gallery”, Notes and Queries 194:15 (1949): 318–319.
Mitchell, W. J. T. Picture Theory. Chicago: University of Chicago Press, 1994.
Morales, Helen. “Fantasising Phryne: The Psychology and Ethics of Ekphrasis”, The Cambridge Classical Journal 57 (2011): 71–104.
Muroaka, Isamu. “Donne to Cusanus”, Eigo Seinen (The Rising Generation) 114 (1968): 216–217.
Nichols, Jennifer L. “Dionysian Negative Theology in Donne’s ‘A Nocturnall Upon S. Lucies Day’”, Texas Studies in Literature and Language 53:3 (Fall 2011): 352–367.
O’Connell, Michael. “Milton and the Art of Italy: A Revisionist View”, in Milton in Italy: Contexts, Images, Contradictions, edited by Mario A. Di Cesare. Binghamton, NY: Medieval and Renaissance Texts and Studies, 1991, pp. 215–236.
O’Connell, Patrick F. “‘La Corona’: Donne’s Ars Poetica Sacra”, in The Eagle and the Dove: Reassessing John Donne, edited by Claude J. Summers and Ted-Larry Pebworth. Columbia: University of Missouri Press, 1986, pp. 119–130.
Pace, Claire. “‘Delineated Lives’: Themes and Variations in Seventeenth-Century Poems About Portraits”, Word & Image 2:1 (1986): 1–17.
Panofsky, Erwin. Early Netherlandish Painting. 2 vols. New York: Icon/Harper and Row, 1971.
———. “Die Perspektive Als ‘Symbolische Form’”, Vorträge der Bibliothek Warburg 1924–1925 (1927): 258–330.
Parr, Anthony. “John Donne, Travel Writer”, Huntington Library Quarterly 70:1 (2007): 61–85.
Patrides, C. A. ed. The Complete English Poems of John Donne. London: J. M. Dent, 1985.
Patterson, Annabel. “Donne in Shadows: Pictures and Politics”, John Donne Journal 16 (1997): 1–35.
———. “Donne’s Re-Formed La Corona”, John Donne Journal 23 (2004): 69–93.
Paulson, Stephen D. “Luther on the Hidden God”, Word and World 19:4 (1999): 362–371.
Phillips, John. The Reformation of Images: Destruction of Art in England, 1535–1660. Berkeley: University of California Press, 1973.
Piper, David. The Image of the Poet: British Poets and Their Portraits. Oxford: Clarendon Press, 1982.
Pollock, John J. “A Mystical Impulse in Donne’s Devotional Poetry”, Studia Mystica 2:2 (1979): 17–24.
Potter, George R. and Evelyn M. Simpson, eds. The Sermons of John Donne, 10 vols. Berkeley and Los Angeles: University of California Press, 1953–1962.
Praz, Mario. The Flaming Heart: Essays on Crashaw, Machiavelli and Other Studies of the Relation between Italian and English Literature from Chaucer to T. S. Eliot. Gloucester, MA: Peter Smith, 1966.
———. Mnemosyne: The Parallel between Literature and the Visual Arts. Princeton: Princeton University Press, 1970.
Preuss, Hans. Martin Luther Der Künstler. Güttersloh: C. Bettelsmann, 1931.
Pseudo-Dionysius. The Complete Works. Translated by Colm Luibheid. New York: Paulist Press, 1987.
Puttenham, George. The Arte of English Poesie: Contrived into Three Bookes: The First of Poets and Poesie, the Second of Proportion, the Third of Ornament. London: Richard Field, 1589.
Réau, Louis. Iconographie de l’art chrétien. 3 vols. Paris: Presses Universitaires de France, 1957.
Redpath, Theodore, ed. The Songs and Sonnets of John Donne. Second edition. New York: St Martin’s Press, 1983.
Rendall, Steven. “The Portrait of the Author”, French Forum 13:2 (1998): 143–151.
Robbins, Robin, ed. The Poems of John Donne. 2 vols. Harlow and New York: Longman, 2008.
Rorem, Paul. “Negative Theologies and the Cross”, Harvard Theological Review 101:3/4 (2008): 451–464.
Roston, Murray. The Soul of Wit: A Study of John Donne. Oxford: Clarendon Press, 1974.
Rugoff, Milton Allan. Donne’s Imagery. A Study in Creative Sources. New York: Corporate Press, 1939.
Rundell, Katherine. Super-Infinite: The Transformations of John Donne. London: Faber and Faber, 2022.
Sahas, Daniel J. Icon and Logos: Sources in Eighth-Century Iconoclasm. Toronto: University of Toronto Press, 1986.
Schleiner, Winfried. The Imagery of John Donne’s Sermons. Providence, RI: Brown University Press, 1970.
Sellin, Paul R. “The Proper Dating of Donne’s ‘Satyre III’”, Huntington Library Quarterly 43:4 (1980): 275–312.
Semler, L. E. The English Mannerist Poets and the Visual Arts. Madison: Fairleigh Dickinson University Press; London: Associated University Presses, 1998.
Shawcross, John T., ed. The Complete Poetry of John Donne. Garden City, NY: Anchor Books, 1967.
Shuger, Deborah. The Renaissance Bible: Scholarship, Sacrifice, and Subjectivity. Berkeley: University of California Press, 1994.
Sidney, Philip. The Countesse of Pembrokes Arcadia, Written by Sir Philip Sidney Knight. William Ponsonbie, 1598, pp. 519–569.
———. “The Defence of Poesy”, in Sidney’s ‘The Defence of Poesy’ and Selected Renaissance Literary Criticism, edited by Gavin Alexander. London: Penguin, 2004.
Simpson, Evelyn M. “The Biographical Value of Donne’s Sermons”, Review of English Studies 2:8 (1951): 339–357.
———. A Study of the Prose Works of John Donne. Oxford: Clarendon Press, 1924.
Sloane, Mary Cole. The Visual in Metaphysical Poetry. Atlantic Highlands, NJ: Humanities Press, 1981.
Sloane, Thomas O. Donne, Milton, and the End of Humanist Rhetoric. Berkeley: University of California Press, 1985.
Smith, A. J., ed. John Donne: The Complete English Poems. Harmondsworth: Penguin, 1971.
Stampfer, Judah. John Donne and the Metaphysical Gesture. New York: Funk and Wagnalls, 1970.
Stanwood, P. G. “Donne’s Earliest Sermons and the Penitential Tradition”, in John Donne’s Religious Imagination: Essays in Honor of John T. Shawcross, edited by Raymond-Jean Frontain and Frances M. Malpezzi. Conway, AR: UCA, 1995, pp. 366–379.
Stein, Arnold. John Donne’s Lyrics: The Eloquence of Action. Minneapolis: University of Minnesota Press, 1962.
Strier, Richard. “John Donne Awry and Squint: The ‘Holy Sonnets,’ 1608–1610”. Modern Philology 86:4 (1989): 357–384.
Stringer, Gary A. et al., eds. The Variorum Edition of the Poetry of John Donne. Vols 1, 2, 3, 4.1, 6, 7.1, 8. Bloomington and Indianapolis: Indiana University Press, 1995–2017. See also Johnson, above.
Sypher, Wylie. Four Stages of Renaissance Style: Transformations in Art and Literature 1400–1700. Garden City, NY: Doubleday, 1955.
Terrill, T. Edward. “A Note on John Donne’s Early Reading”. Modern Language Notes 43:5 (1928): 318–319.
Tuve, Rosemond. Elizabethan and Metaphysical Imagery: Renaissance Poetic and Twentieth-Century Critics. Chicago: Chicago University Press, 1947.
Ugolnik, Anthony. “The Libri Carolini: Antecedents of Reformation Iconoclasm”, in Iconoclasm vs. Art and Drama, edited by Clifford Davidson and Ann Eljenholm Nichols. Kalamazoo: Western Michigan University Press, 1989, pp. 1–32.
Underhill, Evelyn. Mysticism. London: Methuen, 1911.
Walsham, Alexandra. “Sacred Topography and Social Memory: Religious Change and the Landscape in Early Modern Britain and Ireland”, Journal of Religious History 36:1 (2012): 31–51.
Walton, Izaak. The Lives of Dr. John Donne, Sir Henry Wotton, Mr. Richard Hooker, Mr. George Herbert. The Fourth Edition. London: Tho. Roycroft for R. Marriot, 1675.
Wendorf, Richard. “Visible Rhetorick: Isaak Walton and Iconic Biography”, Modern Philology 82:3 (1985): 269–291.
Wiggins, Peter De Sa. “Giovanni Paolo Lomazzo’s Trattato Dell’arte Della Pittura, Scultura, e Architettura and John Donne’s Poetics: ‘The Flea’ and ‘Aire and Angels’ as Portrait Miniatures in the Style of Nicholas Hilliard”, Studies in Iconography 7–8 (1981–82): 269–288.
Wotton, Henry. The Elements of Architecture. 1624.
Young, R. V. Doctrine and Devotion in Seventeenth-Century Poetry: Studies in Donne, Herbert, Crashaw, and Vaughan. Cambridge: Boydell and Brewer, 2000.