“Subliminal” Knowledge and Resisting Recruitment
A key moment of contact for many literary intellectuals was an attempt by the Stasi to recruit them as informants. This appears to have been a common experience for many operating in the literary sphere, particularly at the start of their literary careers: as we saw in the introduction to this book, Lutz Rathenow goes so far as to claim that “jeder Oppositionelle in der DDR wurde einmal angeworben” (every oppositional actor was courted by the Stasi at some point).1Rathenow, “Akteneinsicht als Therapie.” We explore in detail the Stasi archive records relating to the attempted recruitment of our central authors in chapter 2. Here we focus on the author’s rec­ollection of these events in post-Wende interviews and publications. Our emphasis is on how they report knowledge of the Stasi, the role that it played, and where it came from.
Christa Moog was no exception to Rathenow’s statement about the prevalence of efforts to recruit critical writers to the army of Stasi informants. The Stasi attempted to recruit her as an informant when she was just a teenager, but—as we will see—she resisted their advances. The way in which she describes this refusal indicates how fragmented knowledge about the Stasi circulated in social and familial environments, and how direct experiences with the Stasi could be used to enhance that knowledge, which nonetheless remained incomplete.
In the interview with Windsor, Moog describes in some detail the experience of being approached by the Stasi to act as an informant when she was just fourteen. In January 1966, she received a postcard from the local police office (Volkspolizeikreisamt) with the request to attend “zur Klärung eines Sachverhaltes” (to clarify a matter)—a phrase that was frequently used to summon individuals to meetings with the secret police and which is now notorious in memory of the Stasi.2Interview with Christa Moog, August 25, 2021. Moog describes a lack of knowledge within her family about the meaning of this request and what and who might lie behind it. This lack of knowledge makes the request even more worrying, as they attempt to interpret what might be behind it, focusing on insignificant past misdemeanours. In her recollection, the idea that it might be the Stasi or an attempted recruitment does not even occur to them:
… eine Vorladung zur Polizei war schon was Besonderes. Das war schon so, dass man sich dann total Gedanken machte und ich hab’ dann damals auch—Und meine Eltern hatten, vor allem meine Mutter war auch ganz besorgt, und wir haben alles Mögliche gemutmaßt, dass ich vielleicht so mit dem Fahrrad—Wir sind dann manchmal zu zweit auf’m Fahrrad gefahren … Und, oder wir sind auch nachts in das Schwimmbad eingebrochen, da in der Katzenaue in Eisenach und sind dann da in der Nacht geschwommen, was natürlich auch ein Verstoß gegen die, also, absoluten Regeln war. Oder irgendwas.3Interview with Christa Moog, August 25, 2021.
[a summons to the police was something special. It was something that made you really worry and I was also—And my parents, especially my mother, was really worried and we suspected all sorts of things, that maybe I was on my bike—Sometimes we would ride bikes two at a time. … And, or we would break into the swimming pool at night in Katzenaue in Eisenach and then swim there at night, which of course was also a violation of the, well, absolute rules. Or something.]
Nonetheless, this lack of specific knowledge about Stasi tactics does not mean that Moog and her family were not aware of why they should be afraid of the secret police and the risks of becoming embroiled in its net. When Moog is pressured to sign a declaration that she will spy on her friends, a so-called Verpflichtungserklärung, she refuses. Interestingly, she describes the decision not to sign as being informed by an “innere Stimme,” (inner voice) that is a kind of intuitive knowledge whose origins she cannot place: “Und irgendwie hat eine innere Stimme in mir gesagt ‘Du darfst das auf gar keinen Fall unterschreiben’” (and somehow an inner voice inside me said “You must not sign this under any circumstances.”)4Interview with Christa Moog, August 25, 2021.
Moog says she only feels able to refuse because of the support given to her by her family, which meant she did not feel she had to fear the potential consequences or that her future would be ruined by her refusal. She notes that it was not a lack of knowledge about the Stasi’s power that gave her the strength not to sign; rather it was the resilience provided by her parents. Others—as Moog comments—responded differently to the same knowledge:
Also, das wusste man schon, dass das eigentlich, war das ja der eigentliche Machtapparat im Staat. Und für so einen jungen Menschen konnte das schon total beängstigend sein. Also, ich weiß zum Beispiel, es war ja so, dass einige das ja auch unterschrieben haben, und dann ja auch berichtet haben.5Interview with Christa Moog, August 25, 2021.
[Well, we already knew that that was actually the real power apparatus in the state. And for such a young person that could be really frightening. Well, I know, for example, that some people signed it and then did inform.]
Moog goes on to indicate that her knowledge of the power of and threat posed by the Stasi came also from direct experience with the secret police within her network. Her best friend’s uncle had been imprisoned in the notorious Bautzen prison for several years in the early 1950s before being released into the West: “Und ich wusste, dass der dann wirklich als kranker Mann da raus kam und die Mutter meiner Freundin eben in wahnsinnigen Ängsten um ihn war” (and I knew that he came out of there a really sick man and my friend’s mother was extremely worried for him).6Interview with Christa Moog, August 25, 2021. Moog adds that although she knew that “mich niemand einsperren würde” (nobody would lock me up), this knowledge of what had happened to others created a kind of visceral response, something “unterschwellig” (subliminal) as she describes it.7Interview with Christa Moog, August 25, 2021. We might say a kind of intuition conditioned by the knowledge of what the Stasi could do, suppressed by knowledge of what they likely would do (or rather would not do) in this specific situation.
What we see here is a kind of partial knowledge—a lack of detailed information, but a sense of who the Stasi were and the threat they posed. In his interview with Windsor, Ekkehard Maaß asserts that everyone knew “dass es die Stasi gab, schon in der Kindheit” (that the Stasi existed, already as a child).8Interview with Ekkehard Maaß, July 30, 2021. His description of what exactly was known is rather general. However, this superficial knowledge informs the development of rules of thumb relating to behaviour: “Also, man wusste sich immer beobachtet. Man wusste immer, dass man aufpassen muss, dass man nicht in irgendeiner Form den Vorwand liefert, dass man verhaftet werden kann” (well, you always knew you were being watched. You always knew that you had to be careful not to provide any kind of excuse for them to arrest you).9Interview with Ekkehard Maaß, July 30, 2021. Moog describes how she was able to use this partial knowledge to make quick decisions and avoid being drawn into the role of a secret informant.
Another decision that Moog makes is to tell her family and her friend about the attempted recruitment (despite having signed a declaration of secrecy). This makes her unusable for the Stasi as an informant and she subsequently becomes the target of their observation. In the moment of contact with a potential informant, the Stasi also make themselves vulnerable to revelation: these moments of contact allowed individuals to gain and disseminate knowledge about the Stasi, how they operate and even what they look like. Moog describes her reaction when a Stasi officer waits for her daily at the school gate: “Ich hatte total Herzklopfen, hab’ dann zu meiner Freundin gesagt ‘Um Gottes Willen, das ist der, da’” (my heart was pounding, then I said to my friend, “oh my god, that’s him over there.”).10Interview with Christa Moog, August 25, 2021. As we will see, Moog describes how later in her life this partial knowledge about the Stasi—how they behaved and what they looked like—was also used to try to identify Stasi informants within the literary sphere. That is, the knowledge gained through the moment in which the Stasi revealed themselves was used to support rules of thumb or heuristics that aimed to uncover more of their secrets.
Uwe Kolbe also had early direct experiences with the Stasi that provided him with fragmented knowledge about their operations. In the interview with Windsor, Kolbe describes knowledge about the Stasi in a way that resonates with Moog’s description of her “subliminal” or visceral response, that is, as something almost unconscious and stemming from experiences within one’s familial networks:
wenn man überhaupt so “Stasi” sagte, wenn man das Wort überhaupt benutzte, überhaupt dieses Kürzel benutzte, das war ganz schwierig. Also, in den 60er, 70er Jahren, so meiner Kindheits- und Jugenderfahrung, das war ganz schwierig. Da gab es reale Angst, also da gab es sozusagen—wie soll ich sagen?—habituell also etwas. Darüber redete man lieber gar nicht.11Interview with Uwe Kolbe, June 1, 2021.
[If you said “Stasi” at all, if you used the word at all, if you used this abbreviation at all, that was very difficult. So in the 60s and 70s, in my childhood and youth, it was very difficult. There was real fear, so there was—how should I put it?—something habitual. People preferred not to talk about it at all.]
Interestingly, Kolbe describes this “habitual” fear as being marked—within his parents’ generation at least—by childhood experiences of National Socialism. What Kolbe is describing here seems to fit very clearly with the idea of the “public secret”; something that is both known and unknown, acknowledged, but also secret.12Taussig, Defacement, 50.
This knowing and yet not knowing extended to the language used to talk about the secret police in Kolbe’s account. He recalls that the most visible Stasi agents were those that stood around on the street whenever there was an official event attended by “die Bonzen,” that is, high-ranking SED members.
Dann standen so diese markanten Herren mit ihren Täschchen. Die hatten so ne Zeit lang solche komischen Täschchen in der Hand, ich weiß nicht, was die da drin hatten, das waren so ne Armtäschchen, mit so ner Schlaufe, die man so am Arm trug. Oder sie hatten Knirpse so in der Hand … Als solches nahm man die Stasi schon wahr, aber das war so wie: “Na ja, das sind doch Idioten. Guck mal, die da.” Also, vor denen hatte man irgendwie, das war nicht beängstigend.13Interview with Uwe Kolbe, June 1, 2021.
[Then there were these striking men with their little bags. For a while they had these funny little bags in their hands, I don’t know what they had in them, they were like little arm bags with a loop that you wore on your arm. Or they had collapsible umbrellas in their hands … In that sense, you could certainly spot the Stasi, but it was like: “Well, they’re idiots. Look at them over there.” So somehow you weren’t … it wasn’t scary.]
Here we see the development of a “rule of thumb” or “heuristic” in Gigerenzer’s terms, based on experience in the social environment—“if someone is standing around in a doorway with a little bag during demonstrations or other large public events, he is a Stasi officer.” But Kolbe does not recall saying that to those he was with, instead the public secret remains unnamed, they are simply “Idioten” (idiots). We see something similar in Moog’s recollection: when she points out the Stasi officer at her school gate, she says simply, “das ist der, da” (that’s him over there).
What is particular to Kolbe is that this habitual, intuitive knowledge about the danger of the Stasi emerged in a context in which the Stasi were in his family, that is, his father was a Stasi officer. This is not something that Kolbe knew for certain until the opening of the Stasi files, but it is something that he suspected from a young age.14For a post-Wende account of Kolbe’s suspicions about his father and the confirmation of those suspicions after the Wende, see: Kolbe, “Die Sache mit V.” In the interview with Windsor, we see him struggling to articulate where that knowledge came from:
Ich hab’s immer vermutet irgendwie, als ich dann so 13, 14 Jahre alt war hab ich das mal vermutet, wenn ich ihm mal begegnete, weil er hatte … es gab so merkwürdige Dinge um ihn herum, ja, sodass das schon zu merken war: “Na ja, der ist doch wahrscheinlich …”15Interview with Uwe Kolbe, June 1, 2021.
[I always suspected it somehow, when I was about 13, 14 years old I suspected it when I met him, because he had … there were such strange things about him, yes, so that it was already noticeable: “Well, he’s probably …”]
Even the Stasi files cannot reveal everything about his father. In particular, they do not tell him the extent to which he influenced events in his son’s life: questions about the Stasi’s manipulations in Kolbe’s life remain unanswered even after the opening of the files. In his post-Wende accounts, Kolbe notes that the files reveal that his father was not only a Stasi officer, but also formally an IM deployed to report on his son.16Kolbe, Die Situation, 43; Kolbe, “Die Sache mit V.,” 154. However, Kolbe’s short text, “Die Sache mit V.” (The Thing with V.), in particular, is shot through with language that indicates uncertainty and gaps in knowledge. The narrator repeats (a variation on): “Ich kann die Sache mit V. nicht vollständig erzählen, weil ich nicht immer dabei war” (I cannot give a complete account of the thing with V., because I was not always there).17Kolbe, “Die Sache mit V.,” 151 and 154. Like Moog, Kolbe was subject to an attempted recruitment at a young age—when he was seventeen. We once again see him struggling to articulate his memories when reflecting on whether his father was behind that attempt: “Ich musste damals schon vermuten, dass das was—und habe es auch vermutet—, dass das irgendwie mit ihm zu tun hat” (I must have already suspected back then that that—and I also suspected it—that that somehow had something to do with him).18Interview with Uwe Kolbe, June 1, 2021.
Kolbe’s early confrontation with the Stasi began when he was invited to a seminar for young poets at the Freie Deutsche Jugend (FDJ, Free German Youth), the SED youth organisation. He was puzzled at the time as to why he had been invited, as he was already beginning to voice politically uncomfortable ideas. He suspects his father had a hand in it, but adds: “ich weiß es eigentlich bis heute nicht” (I actually don’t know to this day).19Interview with Uwe Kolbe, June 1, 2021. When Kolbe returns from the seminar, his mother reports that someone from the Department of Culture in the Berlin Magistrate had visited and said they wanted to do something with his poems. He recalls that she was pleased about this apparent external recognition, even though she had shown little interest in his literary work previously. Despite his father’s profession, his mother seems to have little awareness of what an approach from the Stasi might look like (noting that Kolbe’s mother and father were separated).20See chapter 2 for a discussion of the contradictory accounts of this meeting in the Stasi files. It should be added in this context that the Stasi record suggests that Kolbe’s mother and stepfather were, in fact, a little more circumspect about the visit and Kolbe only felt comfortable inviting the officers in on their return visit because his parents were not at home.21Report on a conversation with Uwe Kolbe, dated September 16, 1975. That return visit happened a little while later, when the man appeared at their door and wanted to speak directly to Kolbe. He introduced himself as being from the Magistrate. But, Kolbe recalls, he knew instantly that this was not true: “es fiel mir nämlich damals schon auf—natürlich wusste ich relativ rasch, wer die sind, dass das Stasi war. Das zum Beispiel wusste ich ganz schnell” (I already realised back then—of course I knew relatively quickly who they were, that it was the Stasi. I knew that very quickly, for example).22Interview with Uwe Kolbe, June 1, 2021. Kolbe articulates that it was the man’s behaviour that gave him away, that is, that he asked questions completely unrelated to his poetry and wanted copies of manuscripts. In this sense, we see once again that the Stasi risked revealing themselves at this moment of contact.
Nonetheless, the certainty that Kolbe expresses “natürlich wusste ich … dass das Stasi war” (of course I knew … that it was the Stasi) dissipates as Kolbe continues in his recollection. He remembers that he gave them the manuscripts and that he found the explanation that they wanted to promote young authors at least “halbwegs glaubhaft” (half believable). It is only on the second visit that it was “ziemlich sonnenklar” (pretty clear as day) that they were not who they said they were. Despite this, Kolbe agrees to attend a third meeting, this time in the Department of Culture at the Magistrate. It is at this meeting that the Stasi officers (literally) lay their cards on the table:
da machte der dann auf, als ich zur bestellten Zeit da war, und dann holten die tatsächlich die berühmten Klappkarten, von denen man ja immer gehört hatte. Also, jeder wusste, dass die sich mit irgendwelchen Klappkarten an ner Kette, dass die sowas haben, ja? Und siehe da! Sie holten wirklich, der Ältere holte wirklich sowas aus der Tasche, sagte irgendwie: “Hauptmann so-und-so”—ich glaube, es war irgendwie vom Dienstgrad her Hauptmann So-und-so—“wie Sie sich bestimmt schon gedacht haben, sind wir eben vom Ministerium, vom Ministerium für Staatssicherheit …”23Interview with Uwe Kolbe, June 1, 2021.
[They opened the door when I arrived at the specified time, and then they actually brought out the famous folding ID cards you’d always heard about. So everyone knew that they had something like that with folding cards on a chain, right? And lo and behold! They really did, the older man really did take something like that out of his pocket and somehow said: “Captain so-and-so”—I think it was somehow Captain so-and-so in terms of rank—“as you’ve probably already guessed, we’re from the Ministry, the Ministry of State Security …”]
Kolbe describes this as both a moment of revelation and a moment of confirmation: the Stasi reveal themselves, but at the same time confirm existing stereotypes and stories about how they dress and behave. We see a diminishing level of certainty in Kolbe’s recollection, perhaps reflecting the complex workings of memory. From his perspective in 2021, it seems to Kolbe that it was obvious that these individuals were Stasi officers; however, as he recounts his actual behaviour at the time, there is an acknowledgement that this knowledge was intuited, but uncertain.
Bernd Wagner was older than Moog and Kolbe when the Stasi approached him to work as an informant and already active in the unofficial literary sphere. In the spring of 1983, when Wagner was 34 years old, Wagner submitted an application to the Writers Union to travel to Norway and West Berlin. A few days later, he was visited by an MfS officer who stated that he was charged with Wagner’s security and proceeded to ask for information about friends and acquaintances. Wagner writes about the attempted recruitment in the 1993 article “Stasi-Gift” (Stasi Poison)24Wagner, “Stasi-Gift.” and also recalls the series of events in the interview with Windsor in 2020. In both accounts, we see a complex interweaving of knowledge and naivety. Wagner recalls that he let the officers into his home because he was not aware of his rights, “die man selbst als DDR-Bürger hatte” (that we had, even as citizens of the GDR).25Wagner, “Stasi-Gift,” 8. He refuses to answer any questions relating to his personal contacts and throws the man out of his home, refusing also to sign a declaration of secrecy and asserting that he will most definitely speak about the visit to his friends. This act of defiance was not, however, based on knowledge of the aim of the visit. Wagner states in both the article and interview that he did not realise that it was an attempted recruitment until after speaking to friends: “Aber letztendlich war mir da immer noch nicht klar, dass das ne Anwerbung, der Versuch einer Anwerbung als Spitzel war. So, das ist mir erst klar geworden, als ich dann mit meinen Freunden drüber geredet habe” (But in the end I still didn’t realise that it was a recruitment, an attempt to recruit me as an informer. I only realised that when I talked to my friends about it).26Interview with Bernd Wagner, October 20, 2020. Armed with this knowledge, he refuses any further conversations with the Stasi when the officer returns two days later and writes letters of complaint to both Erich Mielke and then President of the Writers Union (and former informant), Hermann Kant (see chapter 3).27Wagner, “Stasi-Gift,” 8–9. See Gallinat, “Power and Vulnerability,” for further examples of resisting recruitment.
In contrast to Moog and Kolbe, intuitive knowledge, or rules of thumb do not appear to play much of a role in Wagner’s ability to resist the attempt of the Stasi to recruit him as an informant. Notably, unlike Moog (on receipt of the invitation to the police office) or Kolbe’s summons to the Magistrate, Wagner did not need to intuit the identity of the man who appeared at his door: the Stasi officer presented himself as such, including with his name and ID. Wagner presents himself as resolutely and uncompromisingly defiant against the very nature and activity of the secret police—something that is confirmed by the files28See Wagner, “Stasi-Gift,” 9.—the purpose of their visit is therefore immaterial to that initial interaction. However, those in his circle with whom he speaks about the visit clearly do use heuristic knowledge to identify the reason for the visit: they have no more information about it than Wagner but use the clues he provides them to apply a rule of thumb that such visits are likely attempts at recruitment. We can see this as a further example of how heuristic knowledge was built on experiences within the social environment and circulated within it.
Particularly in his account in “Stasi-Gift,” Wagner makes clear the extent to which the files have helped fill in the gaps in his memory of the attempted recruitment and given it structure: “die Akten geben meiner Vergangenheit Chronologie und logische Strukturen zurück” (the files return to my past a chronology and logical structure).29Wagner, “Stasi-Gift,” 8. However, as for Kolbe, gaps remain. In particular, Wagner wondered then and continues to wonder after reading the files why the Stasi thought he might be open to the attempted recruitment. In “Stasi-Gift,” he reports his feelings on first reading the Stasi files:
Beruhigend an der Lektüre dieses Berichts war für mich lediglich, daß mein Gedächtnis, auch wenn es gern verwechselt oder vergißt, scheinbar nicht dazu neigt zu verklären. Viel stärker war das gleiche Gefühl der Beunruhigung, das mich schon kurz nach dem Besuch erregt hatte: Was hast du getan, daß die Stasi auf eine solche Idee kommt, es mit einer Anwerbung zu versuchen?30Wagner, “Stasi-Gift,” 9.
[The only thing I found reassuring about reading this report was that my memory, even if it likes to confuse or forget, does not seem to have a tendency to distort. Much stronger was the same feeling of uneasiness that had troubled me shortly after the visit. What did you do to give the Stasi the idea of trying to recruit you?]
He adds that “die Akten beantworten diese Fragen nicht” (the files do not answer these questions), but speculates whether it was the false report provided by one informant—IM “Kant” (the publisher Fritz-Georg Voigt)—that he had been coerced into signing the petition against the Biermann expatriation, that is, that his opposition was not genuine.31Wagner, “Stasi-Gift,” 9–10. However, this remains speculation: the unknown—the apparent mismatch between the Stasi’s perception of him and his perception of himself—remains frustratingly unknown.
 
1     Rathenow, “Akteneinsicht als Therapie.” »
2     Interview with Christa Moog, August 25, 2021. »
3     Interview with Christa Moog, August 25, 2021. »
4     Interview with Christa Moog, August 25, 2021. »
5     Interview with Christa Moog, August 25, 2021. »
6     Interview with Christa Moog, August 25, 2021. »
7     Interview with Christa Moog, August 25, 2021. »
8     Interview with Ekkehard Maaß, July 30, 2021. »
9     Interview with Ekkehard Maaß, July 30, 2021. »
10     Interview with Christa Moog, August 25, 2021. »
11     Interview with Uwe Kolbe, June 1, 2021. »
12     Taussig, Defacement, 50. »
13     Interview with Uwe Kolbe, June 1, 2021. »
14     For a post-Wende account of Kolbe’s suspicions about his father and the confirmation of those suspicions after the Wende, see: Kolbe, “Die Sache mit V.” »
15     Interview with Uwe Kolbe, June 1, 2021. »
16     Kolbe, Die Situation, 43; Kolbe, “Die Sache mit V.,” 154. »
17     Kolbe, “Die Sache mit V.,” 151 and 154. »
18     Interview with Uwe Kolbe, June 1, 2021. »
19     Interview with Uwe Kolbe, June 1, 2021. »
20     See chapter 2 for a discussion of the contradictory accounts of this meeting in the Stasi files. »
21     Report on a conversation with Uwe Kolbe, dated September 16, 1975. »
22     Interview with Uwe Kolbe, June 1, 2021. »
23     Interview with Uwe Kolbe, June 1, 2021. »
24     Wagner, “Stasi-Gift.” »
25     Wagner, “Stasi-Gift,” 8. »
26     Interview with Bernd Wagner, October 20, 2020. »
27     Wagner, “Stasi-Gift,” 8–9. See Gallinat, “Power and Vulnerability,” for further examples of resisting recruitment. »
28     See Wagner, “Stasi-Gift,” 9. »
29     Wagner, “Stasi-Gift,” 8. »
30     Wagner, “Stasi-Gift,” 9. »
31     Wagner, “Stasi-Gift,” 9–10. »