A groundbreaking analysis of 21st century labour practices in the mining industry and the new scramble for industrial power on the African continent. Since the beginning of the 21st century, African countries with mineral resources have witnessed an unprecedented rise in foreign direct investments and the development of new flexible workforce management practices in the mining industry. But what does this mean for those who actually work in this industry? Based on research in the Congo and Zambia, where a mining boom has led to more than thirty new mining projects in recent years, this book explores the processes of improvisation and adaptation behind the emergence of this neoliberal labour regime. The contributors show how mining projects' labour practices have been mediated, negotiated, or resisted by mine workers, unionists, and human resource managers. They discuss variations in labour practices put in place by new mining projects depending on the type of capital involved, the type of mine being developed, and their location. Finally, the book examines the implications of power dynamics surrounding companies' labour strategies from the broader perspective of the responsibility of trade unions, gender equality, and identity politics.

A critical interpretation of essential Kiganda royal court songs that examines how the meanings of their lyrics enter into dynamic dialogue with contemporary national politics in Uganda.

Lyric interpretation, which Damascus Kafumbe defines as a process of creative renewal that infuses vitality into songs, enables interpreters and analysts to derive a multiplicity of meanings from songs instead of being limited to a single literal narrative. As he and his research collaborators demonstrate throughout Interpreting Court Song in Uganda, the process extends the life of a song by allowing it to generate new versions, meanings, and relevance. Kafumbe examines how lyric interpretation serves to renew the lives of twenty-one songs from the repertoires of royal court musicians of the Kingdom of Buganda, arguing that the meanings of these songs are not singular, static, and monolithic but rather dynamic and multivalent.
Through extensive research within past and present contexts, Kafumbe presents a series of unique perspectives on the ways Kiganda court songs reflect varied kinds of power relations. These meanings, which surface via lyric interpretation, come from daily interactions among citizens and between leaders and subjects. This interpretive process helps illuminate truths and clarify myths about the power dynamics that shape political life in present-day Uganda, highlighting the relevance of court song lyrics to contemporary national contexts. By engaging with the book's wide range of voices, readers will learn to appreciate these songs, their historical and contemporary contexts, and their composer-performers' stories and interpretations more fully.

This book is available as Open Access under the Creative Commons license CC BY-NC-ND.

Examines the career and message paintings of the feminist conceptual artist Jiny Lan, analyzing a cross-section of works that invite literary, historical, socio-political and transcultural interpretations.


Jiny Lan is an avant-garde Chinese artist based in Germany. A founding member of the feminist art collective "Bald Girls," she infuses astute, politically charged, and iconoclastic criticism into her conceptual and visual art. Jiny Lan and the Art of Subversion provides a hermeneutic and critical analysis of Lan's idiosyncratic, provocative, and ingenious artwork. "Subversion" refers not only to her political and cultural subversiveness but also to her iterative technique of reproduction and repainting, which she uses to create a series of genealogically related "sub-versions" of her own paintings.

As an émigré and immigrant artist, Lan is profoundly influenced by both eastern and western cultures and traditions. Her immersive experience and extensive knowledge of two contrasting national histories, cultures, and political systems endows her with a unique intersectional positionality. Her artwork is at once figurative and abstract, realistic and fantastic, chaotic and logical, appropriative and creative. It interrogates serious issues such as censorship, authoritarianism, democracy, human rights, sexism, racism, war, migration, and Covid-19, but in a dynamic and often humorous manner. This book lays a foundation for evaluating Lan as an artist whose work invites discussions about portraiture, power, temporality, space, corporality, and sex.

This book is available as Open Access under the Creative Commons license CC BY-NC-ND.

Kyiv as Regime City charts the resettlement of the Ukrainian capital after Nazi occupation, focusing on the efforts of returning Soviet rulers to regain legitimacy within a Moscow-centered regime still attending to the warfront. Beginning with the Ukrainian Communists' inability to both purge their capital city of "socially dangerous" people and prevent the arrival of "unorganized" evacuees from the rear, this book chronicles how a socially and ethnically diverse milieu of Kyivans reassembled after many years of violence and terror.

While the Ukrainian Communists successfully guarded entry into their privileged, elite ranks and monitored the masses' mood toward their superiors in Moscow, the party failed to conscript a labor force and rebuild housing, leading the Stalin regime to adopt new tactics to legitimize itself among the large Ukrainian and Jewish populations who once again called the city home. Drawing on sources from the once-closed central, regional, and local archives of the former Soviet Union, this study is essential reading for those seeking to understand how the Kremlin reestablished its power in Kyiv, consolidating its regime as the Cold War with the United States began.

Martin J. Blackwell is Visiting Professor of History at Stetson University in DeLand, Florida.

Explores the variety of legal and regulatory regimes that existed in Western Europe to control labour and how workers experienced those controls.

Many economic historians have assumed that labour in Western Europe was 'free' after the end of serfdom in the fifteenth century. These assumptions are increasingly being questioned and labour laws have been identified as creating significant restrictions on workers' freedom. This collection is the first book to look at labour laws across Western Europe from a longer-term perspective. It is interdisciplinary in nature bringing together studies in social, political, economic and legal history.

Elements of labour legislation appeared before the Black Death, but were strengthened afterwards particularly in places and periods where labour became scarce. The collection focuses on the rural economy in the late medieval and early modern period. It provides a series of studies which introduce a range of approaches to labour regulation and the very idea of labour across Europe. Uniquely, the collection offers observations on the impact of labour laws on everyday social relations. Attempts to regulate work and labour varied widely: in places they amounted to wishful thinking on the part of the regional authorities, whereas elsewhere they could impose severe limitations on individual freedoms.

Contributors: Davide Cristoferi, Theresa Johnsson, Thijs Lambrecht, Charmian Mansell, Francine Michaud, Hanne Østhus, Raffaella Sarti, Carolina Uppenberg and Jane Whittle.

Examines the new challenges facing Africa's pastoral drylands from large-scale investments and how this might affect the economic and political landscape for the regions affected and their peoples.



More than ever before, the gaze of global investment has been directed to the drylands of Africa, but what does this mean for these regions' pastoralists and other livestock-keepers and their livelihoods? Will those who have occupied drylands over generations benefit from the developments, as claimed, or is this a new type of territorialisation, exacerbating social inequality?
This book's detailed local studies of investments at various stages of development - from Kenya, Tanzania, Somaliland, Ethiopia - explore, for the first time, how large land, resource and infrastructure projects shape local politics and livelihoods. Land and resources use, based on ancestral precedenceand communal practices, and embedded regional systems of trade, are unique to these areas, yet these lands are now seen as the new frontier for development of national wealth. By examining the ways in which large-scale investmentsenmesh with local political and social relations, the chapters show how even the most elaborate plans of financiers, contractors and national governments come unstuck and are re-made in the guise of not only states' grand modernist visions, but also those of herders and small-town entrepreneurs in the pastoral drylands. The contributors also demonstrate how and why large-scale investments have advanced in a more piecemeal way as the challenges of implementation have mounted.

JEREMY LIND is Research Fellow at the Institute of Development Studies (IDS), University of Sussex. DORIS OKENWA holds a PhD in Anthropology from the London School of Economics. IAN SCOONES is a Professorial Fellow at the IDS, University of Sussex and co-director of the ESRC STEPS Centre.

The Introduction and Chapter 14 are available as Open Access under the Creative Commons license CC-BY-NC-ND. The open access version of this publication was funded by IDS Sussex.

Sheds new light on European and regional book markets, the development of a public sphere and the impact of new media on intellectual, social, religious and political change.

How do you become a citizen? Ever since printing was introduced, being a member of society increasingly involved reading and writing: for sociability and belonging, instruction and entertainment, profit and charity, spiritual awakening and political debate. Literary practices shaped and changed identities and the organisation of society during the Long Eighteenth Century. In Scandinavia, this happened locally, as well as transnationally - reading, writing and producing texts involved entanglements within and beyond the borders of the Northern European periphery of Norway, Denmark and Sweden.

Focusing on 'literary citizenship', this volume uncovers the different ways in which engagements with print have mediated and established networks and communities, identities and agencies of multiple sorts in an interconnected media landscape. The result is a complex and intriguing history of the book in the Scandinavian region. This history is, on the one hand, influenced by a European market and tradition. On the other hand, it offers an important and different case of regional and local adaptation, marked by what has been termed a 'Northern Enlightenment'.

This book will be of interest to scholars of European enlightenment studies and to those who are interested in the continuing debates surrounding print culture and history.

This book is available as Open Access under the Creative Commons license CC-BY-NC.

This book and the research upon which it is based was supported by funds from The Research Council of Norway and the National Library of Norway.

CONTRIBUTORS: Jens Bjerring-Hansen, Jon Haarberg, Ruth Hemstad, Thor Inge Rørvik, Ellen Krefting, Karin Kukkonen, Ulrik Langen, Aina Nøding, Jonas Nordin, James Raven, Janicke S. Kaasa, Karen Skovgaard-Petersen, Frederik Stjernfelt, Iver Tangen Stensrud and Jonas Thorup Thomsen.

This OA eBook edition published in December 2023

The first collection of essays in the English language dedicated to the cultural achievements and politics of one of the most important ruling houses of late medieval Europe.

The house of Luxembourg between 1308 and 1437 is best known today for its principal royal and imperial representatives, Henry VII, John the Blind, Charles IV, and Charles's two sons, Wenceslas and Sigismund - a group of rulers who, for better or worse, shaped the political destiny of much of Europe during the fourteenth and early fifteenth centuries. While some of the Luxembourg cultural legacy can still be experienced directly today in and around Prague and southern Germany, and through the literary and musical works of Machaut, Froissart, and Wolkenstein, it reached much further across Europe: from England to present-day Romania, and from the Baltic Sea to the Italian peninsula, alongside the dynasty's homelands in what is now Luxembourg, Belgium and France. However, this culture has not always attracted the scholarly attention it deserves.

This volume explores the pan-European impact and influence of the Luxembourgs in a variety of fields: art and architectural history, material culture, Czech, French, German and Latin text production, gender and intellectual history, and music. Embracing the subject matter from multi-disciplinary and transnational perspectives, the essays here offer new insights into the late medieval cultures of the Luxembourg court. Particular subjects treated include the making of the "Wenceslas Bible"; Machaut at the court of John of Luxembourg; and Charles IV's patronage of multilingual literature.

On publication this book is available as an Open Access eBook under the Creative Commons license: CC BY-NC-ND.

Draws on the rich surviving archives of the Tuscan port of Livorno to explore how General Average worked.

Commercial seafaring, both dangerous and with large amounts of capital at stake, was the source of the risk-management institutions that still undergird the global economy today. A key institution of early modern risk management was General Average, a procedure used to redistribute extraordinary costs arising from a maritime venture between all financially interested parties. For example, should one merchant's cargo be jettisoned to lighten a ship in a storm, the loss would be shared pro rata by the shipper and all the cargo-owners. A risk-sharing practice, different from the risk-shifting of marine insurance which became established relatively late, General Average is still in widespread use.

This book explores how General Average worked. It reveals the gap between General Average in law and how it worked on the ground. It shows how General Average partitioned a wide array of business costs, thereby performing a significant role in structuring maritime commerce, managing risk and promoting shipping and trade. In addition, the book discusses how far General Average was a feature of a supposedly ancient, universal, customary maritime law, and contributes to debates about the evolution of institutions in economic development.

This collection honours the scholarship of Professor David F. Johnson, exploring the wider view of medieval England and its cultural contracts with the Low Countries, and highlighting common texts, motifs, and themes across the textual traditions of Old English and later medieval romances in both English and Middle Dutch.

Few scholars have contributed as much to the wider view of medieval England and its cultural contacts with the Low Countries than Professor David F. Johnson. His wide-ranging scholarship embraces both the textual traditions of Old English, especially in manuscript production, and later medieval romances in both English and Middle Dutch, highlighting their common texts, motifs, and themes.

Taking Johnson's work as its starting point and model, the essays collected here investigate early English manuscript production and preservation, illuminating the complexities of reinterpreting Old English poetry, particularly Beowulf, and then go on to pursue those nuances through later English and Middle Dutch Arthurian romances and drama, including Sir Gawain and the Green Knight, The Canterbury Tales, and the Roman van Walewein. They explore a plethora of material, including early medieval textual traditions and stone sculpture, and draw on a range of approaches, such as Body and Disability Theories. Overall, the aim is to bring multiple disciplines into dialogue with each other, in order to present a richer and more nuanced view of the medieval literary past and cross-cultural contact between England and the Low Countries, from the pre-Conquest period to the late-Middle Ages, thus forming a most appropriate tribute to Professor Johnson's pioneering work.

Chapter 10 is available as Open Access under the Creative Commons license CC-BY-NC-ND. The open access version of this publication was funded by the Dutch Research Council.

Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic religious plays , and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays.

The papers in this volume explore richly interlocking topics. Themes of royalty and play continue from Volume 43. We have the first in-depth examination of the employment of the now-famous Black Tudor trumpeter, John Blanke, at the royal courts of Henry VII and Henry VIII. An entertaining survey of the popular European game of blanket-tossing accompanies the translation of a raucous, sophisticated, but surprisingly humane Dutch rederijkers farce. The Towneley plays remain fertile ground for further research, and this blanket-tossing farce illuminates a key scene of the well-known Second Shepherd's Play. New exploration of a colloquial reference to 'Stafford Blue' in another Towneley pageant, Noah, not only enlivens the play's social context but contributes to important current re-thinking of the manuscript's date. Two papers bring home the theatrical potential of food and eating. We learn how the Tudor interlude Jacob and Esau dramatises the preparation and provision of food from the Genesis story. Serving and eating meals becomes a means of social, theological, and theatrical manipulation. Contrastingly, in the N. Town Last Supper play and a French convent drama, we see how the bread of Passover, the Last Supper, and the Mass could be evoked, layered and shared in performance. In both these plays the audiences' experiences of theatre and of communion overlap and inform each other.

The chapter "Last Supper, First Communion: Some Staging Challenges in N. Town and the Huy Nuns’ Play based on Deguileville’s Pèlerinage de la vie humaine" by Elisabeth Dutton and Olivia Robinson is available below as Open Access under the Creative Commons license CC BY−NC−ND. The Open Access version of this chapter was funded by the Swiss National Science Foundation.

Two crucial genres of medieval literature are studied in this outstanding collection.

The essays in this volume honour the distinguished career of Professor Elizabeth Archibald. They explore two areas that her scholarship has done so much to illuminate: medieval romance, and Arthurian literature. Several chapters examine individual romances, including Emaré, Sir Gawain and the Green Knight and the Roman de Silence. Others focus on wider concerns in romances and related works in Middle English, Latin, French, German and Icelandic, from a variety of perspectives. Later chapters consider Arthurian material, with a particular emphasis on hitherto unexamined aspects of Malory's Morte Darthur. It thus, fittingly, reflects the range of linguistic and literary expertise that Professor Archibald has brought to these fields.

Chapter 6 is available as Open Access under the Creative Commons license CC-BY-NC-ND. The open access version of this publication was funded by The Wellcome Trust.