Fresh perspectives on how medical texts, broadly construed, were recorded, perceived and utilised.


The past few decades have witnessed significant shifts in the scholarly investigation of early medieval medicine and its texts, moving far beyond outdated stereotypes of stagnation and superstition, not least via close study of the manuscript evidence, which has enabled a better appreciation of the processes involved in the recording and transfer of medical knowledge and healing practices. This book builds on these recent developments. With a particular focus on transmission, translation and transformation, the essays collected here offer detailed explorations of sources, contexts, producers and uses, examining material ranging from Bald's Leechbook and continental Latin recipe collections to Old Norse sagas and a Byzantine Greek treatise on venomous animals (Book V of Paul of Aegina's Pragmateia). Several contributors explore Old English's multifarious connections with the Latin tradition, discussing charms, obstetric and gynaecological texts, as well as the Peri didaxeon. The volume concludes with an afterword by Peregrine Horden on future directions of study, inviting further research into this vibrant and growing field.


Chapter 3 is available as Open Access under the Creative Commons licence CC BY-NC-ND. The article received funding from the European Research Council (ERC) under the European Union's Horizon 2020 research and innovation programme (grant agreement no. 101018645.

Multidisciplinary scholarship showcasing innovative methods for working with sculptural material - with essays ranging from Merovingian funerary art to Old English and Scandinavian runic inscriptions.


The stone sculptures surviving across Europe from the early medieval period are an exceptional resource for understanding the communities that created them. Found at waysides, in architectural settings, and graveyards - standing crosses, inscribed stones, runestones and grave-markers are just some of the highly varied forms that attest to the art, technologies and beliefs of both Christian and non-Christian societies. The new approaches to sculpture studies found in this volume range from rethinking late antique influences to exploring how sculpture was used and encountered in a variety of political and cultural contexts; contributors also draw out the dialogues inherent in form and decoration within and across temporal and national boundaries. These fresh perspectives on iconographies, narrative art, sculpture and nature and the power of sculpture in multi-media environments, alongside studies of sourcing, production and portability, and the afterlives of carved stones, reflect the vibrancy of current research and the way in which it now integrates digital, scientific and spatial methods.

The introduction and chapters 26 and 27 are available as Open Access under the Creative Commons licence CC BY-NC-ND. This work was supported by the Arts and Humanities Research Council [AH/R003556/1] and the British Academy [AQ2324\240012].


Chapter 17 is Open Access under the Creative Commons License CC BY-NC-ND with funding from the Swedish National Heritage Board.

Examines the history of electricity provision in Africa and the effects of privatization and infrastructure changes in energy transformation, offering a critical window into development politics in African states. No country has managed to develop beyond a subsistence economy without ensuring at least minimum access to electricity for the majority of its population. Yet many sub-Saharan African countries struggle to meet demand. Why is this, and what can be done to reduce energy poverty and further Africa's development? Examining the politics and processes surrounding electricity infrastructure, provision and reform, the author provides an overview of historical andcontemporary debates about access in the sub-continent, and explores the shifting role and influence of national governments and of multilateral agencies in energy reform decisions. He describes a challenging political environment for electricity supply, with African governments becoming increasingly frustrated with the rules and the processes of multilateral donors. Civil society also began to question reform choices, and governments in turn looked to new development partners, such as China, to chart a fresh path of energy transformation.
Drawing on over fifteen years of research on Uganda, which has one of the lowest levels of access to electricity in Africa and has struggled to construct several, large hydroelectric dams on the Nile, Gore argues that there is a critical need to recognize how the changing political and social context in African countries, and globally, has affected the capacity tofulfil national energy goals, minimize energy poverty and transform economies.

Christopher Gore is Associate Professor, Department of Politics and Public Administration, Ryerson University, Toronto, Canada.

OA EDITION
This book has been made available as Open Access through the support of the Office of the Dean, Faculty of Arts, Ryerson University; Ryerson International; and the Department of Politics and Public Administration, Ryerson University.

During the early nineteenth century, the harp was transformed into a sophisticated instrument that became as popular as the piano. This was largely the result of the harp's intensive technical, musical and visual upgrading, which gradually led to the transition from the single- to the double-action pedal harp. A major figure in this process was Sébastien Erard (1752-1831), a tireless inventor and prolific manufacturer of harps and pianos operating branches in Paris and London. With the introduction in 1811 of the so-called 'Grecian' model, the first commercially built double-action harp, the Erard firm managed to establish the harp not only as a novel, state-of-the-art instrument, but also as a powerful symbol of luxury, wealth and status.

Drawing upon a wide variety of primary sources, including surviving instruments, archival documents and iconographical evidence, this book provides a comprehensive overview of the development, production and consumption of the Erard Grecian harp in Regency England. The innovative approaches employed by the Erard firm in the manufacture and marketing of harps are measured against competitors but also against the work of leading entrepreneurs in related trades, ranging from the mechanical devices and precision tools of James Watt, Henry Maudslay or Jacques Holtzapffel, through the ornamental pottery of Josiah Wedgwood, to the clocks and watches of George Prior or Abraham-Louis Breguet. In addition, the book examines the omnipresent role of the harp in the education, art, fashion and literature of the Regency era, discussing how the image and perception of the instrument were shaped by groundbreaking advances, such as the Industrial Revolution, Neoclassicism, and the Napoleonic Wars.

Analyses how book-keeping and estate accounting transformed attitudes and practices in farm management over three centuries of European history.

From the eighteenth until well into the twentieth century, an ideal model developed of a farmer as accountant, who would record economic transactions meticulously; tidy book-keeping was regarded as the basis of sound management, and only those who accurately dealt with finances would survive and thrive. It is clear that this happened in both theory and practice, with growing numbers of farmers (men and women) keeping increasingly formalized records of their businesses during this period; a wide range of valuable documentation, originating from large estates, small sharecroppers, tenant and owner-farmers alike, has survived.

Drawing on that rich body of sources, this book examines book-keeping and account practices in farm management across Europe, with case studies ranging from Westphalia and the Rhineland to France and Switzerland, over three centuries. It considers who kept these records and their motivations, how practices changed and developed across the period, and in what ways and to what extent accounts and accounting influenced the development of agriculture. It also examines the role of farmers' own organisations and government in encouraging higher standards of accounting.

The Introduction and chapters 7 and 9 are available as Open Access under the Creative Commons licence CC BY-NC-ND.

A nuanced, interdisciplinary examination of female genital mutilation/cutting (FGM/C) that challenges dominant health and human-rights narratives by situating the practice within its social, ritual, and cultural contexts, and foregrounding the voices of affected communities.


Few issues arouse as much controversy as female circumcision, also called a variety of terms including female genital cutting, female genital mutilation/cutting (FGM/C), and female genital modification. The very terminology is contentious, reflecting polarised ideological stances. This book discusses, critiques, and analyses contemporary issues around female circumcision in Africa and the diaspora, campaigns and legislation against it, and alternatives to it. It traces historical continuities in anti-FGM/C campaigns and examines how certain hegemonic narratives have developed as initiatives, legislation, and protocols were rolled out. The book argues that FGM/C is not 'just' a health, human-rights, and gender-violence issue but is multi-faceted and intersectional.

Moving away from a focus on the physical 'cut', chapters examine FGM/C in terms of social relations, asserting that FGM/C must be situated and understood in deeper ritual context and that external interventions aimed at ending the practice are doomed to fail unless external actors listen to and truly engage with the communities concerned. At the same time, FGM/C is discussed in parallel with male circumcision, as both mark ritual initiation into adulthood, raise people's status, and underpin the structure of age-organised societies. Taking an interdisciplinary approach, including perspectives from anthropology, history, political science, medicine and zemiology, the book includes a range of voices, importantly, those of community members as well as scholars, development practitioners and public health professionals, with a view to promoting constructive dialogue between sectors.

Essays on a diverse range of topics, presenting the latest research on themes of gender, religion, warfare, the built environment and chronicle-writing of the period.


This collection brings into dialogue scholarship on social, religious, economic, military and political history, offering exciting new insights into a range of topics, based upon meticulous research into published and unpublished archival records. Two studies reveal the influence of gendered norms and expectations at different ends of the social spectrum, one focussing on peasant women charged with extramarital sex known as leyrwite, the other on the martial achievements and expectations of Edward III. Several essays examine patronage, property investment and the built environment, with actors ranging from the papacy to religious guilds and members of the gentry. Further contributions provide new perspectives on conflict and violence: a re-examination of how the Peasants' Revolt was recorded in the Anonimalle Chronicle, a consideration of how armies were recruited at the time of civil war in 1321-22, and an investigation of the life and career of Henry Crystede, an Englishman fighting in Ireland.

Based on private diaries, correspondence, and unpublished writings, George Rochberg, American Composer, reveals the impact of personal trauma on the creative and intellectual work of a leading postmodern composer.

George Rochberg, American Composer, is the first comprehensive study devoted to tracing and putting into a rich cultural context the career of George Rochberg, widely acknowledged as one of the most prominent musical postmodernists. Drawing from unpublished materials including diaries, letters, sketches, and personal papers, the book traces the impact of two specific personal traumas--Rochberg's service as an infantryman in World War II and the premature death of his son--on his work as a leading composer, college educator, and public intellectual.

The book significantly expands our understanding of Rochberg's creative work by reconstructing and examining the earliest seeds of his aesthetic thinking--which took root while he served in Patton's Third Army--and following their development through his mature compositional period into the final stages of his long career. It argues that Rochberg's military service was a transformative life experience for the young humanist, one that crucially shaped his worldview and influenced his artistic creativity for the next sixty years. As such it reveals personal trauma and aesthetic recovery to be the basis of Rochberg's postwar ideas about humanism, musical quotation, and neotonality.

Amy Lynn Wlodarski is associate professor of music at Dickinson College.

Support for this publication was provided by the Howard Hanson Institute for American Music at the Eastman School of Music at the University of Rochester.

Presenting a range of ethnographic case studies from around the globe, this edited collection offers new ways of thinking about the interconnectivity of gender, place, and emotion in musical performance.

While ethnomusicologists and anthropologists have long recognized the theoretical connections between gender, place, and emotion in musical performance, these concepts are seldom analyzed together. Performing Gender, Place, and Emotion in Music is the first book-length study to examine the interweaving of these three concepts from a cross-cultural perspective. Contributors show how a theoretical focus one dimension implicates the others, creating anexus of performative engagement. This process is examined across different regions around the globe, through two key questions: How are aesthetic, emotional, and imagined relations between performers and places embodied musically? And in what ways is this performance of emotion gendered across quotidian, ritual, and staged events?
Through ethnographic case studies, the volume explores issues of emplacement, embodiment, and emotion in three parts: landscape and emotion; memory and attachment; and nationalism and indigeneity. Part I focuses on emplaced sentiments in Australasia through Vietnamese spirit possession, Balinese dance, and land rights in Aboriginal performance. Part II addresses memories of Aboriginal choral singing, belonging in Bavarian music-making, and gender-performativity in Polish song. Part III evaluates emotion and fandom around a Korean singer in Japan, and Sámi interconnectivities in traditional and modern musical practices. Beverley Diamond provides a thought-provoking commentary in the afterword.

Contributors: Beverley Diamond, Fiona Magowan, Jonathan McIntosh, Barley Norton, Tina K. Ramnarine, Muriel Swijghuisen Reigersberg, Sara R. Walmsley-Pledl, Louise Wrazen, Christine Yano.

Fiona Magowan is Professor of Anthropology at Queen's University, Belfast.
Louise Wrazen is Associate Professor of Music at York University.

Chapter 9 is available as Open Access under the Creative Commons license CC-BY. The open access version of this publication was funded by the Economic and Social Research Council.

Globalized Peripheries examines the commodity flows and financial ties within Central and Eastern Europe in order to situate these regions as important contributors to Atlantic trade networks.

The early modern Atlantic world, with its flows of bullion, of free and unfree labourers, of colonial produce and of manufactures from Europe and Asia, with mercantile networks and rent-seeking capital, has to date been described almost entirely as the preserve of the Western sea powers. More recent scholarship has rediscovered the dense entanglements with Central and Eastern Europe. Globalized Peripheries goes further by looking beyond slavery and American plantations. Contributions look at the trading practices and networks of merchants established in Central and Eastern Europe, investigate commodity flows between these regions and the Atlantic world, and explore the production of export commodities, two-way migration as well as financial ties. The volume uncovers new economic and financial connections between Prussia, the Habsburg Empire, Russia, as well as northern and western Germany with the Atlantic world. Its period coverage connects the end of the early modern world with the eighteenth and nineteenth centuries.

Chapter 10 is available as Open Access under the Creative Commons license CC-BY-NC-ND. The open access version of this publication was funded by the European University Viadrina.

Studies the development and impact of Hanns Eisler's music and Marxist activism in the tensions of 1930s Spain, revealing the interplay of varied influences, ideology and antifascist propaganda.


Hanns Eisler in Republican Spain is the first comprehensive study to explore the political, artistic, and intellectual engagements of Hanns Eisler and his circle of Marxist musicians - including the singer Ernst Busch and the musicologist Otto Mayer-Serra - in relation to Spain between 1931 and 1939. The book reconstructs Eisler's collaborations with a broad range of Spanish antifascist organisations, examines the reception of his compositional and theoretical work in Republican Spain, and assesses the deep impact of the Spanish civil war on his vocal and symphonic music. It highlights the influence of key local, national, and international communist structures - notably the Unified Socialist Party of Catalonia (PSUC), the Communist Party of Spain (PCE), and the Comintern (Third International) - on the musical and political projects of Eisler and his circle.
Grounded in detailed analysis of an extensive corpus of textual, musical, and press materials - primarily preserved in archives in Spain, Germany, Russia, France, and the United States - this study offers new critical frameworks for understanding the role of Western modernist music in contexts of ideological conflict and war. It provides a fresh perspective on the complex entanglements between antifascist propaganda and musical modernism in the interwar period. Hanns Eisler in Republican Spain makes a vital contribution to scholarship at the intersection of music, exile, propaganda, communism, and antifascism, and more broadly, to the study of how political ideologies shaped music, aesthetics, and musical thought across national boundaries during a pivotal era in twentieth-century European history.

On publication this book is available as an Open Access ebook under the Creative Commons license CC BY-NC.

An exploration of the major conflicts and historic events that shaped the current Israeli health care system. In this follow-up to her 2002 book, The Workers' Health Fund in Eretz, Israel: Kupat Holim, 1911-1937, historian Shifra Shvarts investigates the political and social forces that influenced Israel's health care system and policy during the early years of state building. Among the struggles Shvarts explores in this penetrating study are the debate over immigration health policy and the Law of Return, enacted in 1950; the battles over universal healthcare between the Workers' Health Fund and the Israeli government led by prime minister Ben Gurion; the urgent organization of military medical services during wartime; and the contested establishment of renown civilian medical facilities.
These early conflicts have had far-reaching implications that continue to be felt throughout Israeli society. While many European countries successfully established unified, state-run health care systems, Israel's political rivalries and social turbulence gave rise to a mélange of "sick funds," large and small, public and private, that influence and complicate the delivery of health care to this day. Health and Zionism: The Israeli HealthCare System, 1948-1960, sheds light on the major conflicts, leaders, and historic events that shaped the current Israeli health care system, and has relevance to developing health care systems worldwide.

Shifra Shvarts is Associate Professor, Faculty of Health Sciences, Ben Gurion University, Israel, and is author of The Workers' Health Fund in Eretz Israel Kupat Holim, 1911-1937 (University of Rochester Press, 2002).